University of the Pacific
- Page ID
- 67706
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)- Art History - Renaissance through Post Modern
- This publication examines painting, sculpture, architecture and the artistic directions in world art from 1400 to the present. Areas covered include Renaissance, Baroque, Neoclassicism, Impressionism, Abstract Expressionism, Pop Art and Conceptual Art.
- Front Matter
- 1: Introduction
- 2: International Style
- 3: Renaissance
- 4: The Early Renaissance (1400s)
- 5: The High Renaissance (late 1400s through mid-1500s)
- 6: The Late Renaissance/Mannerism
- 7: Renaissance in the North and Spain
- 8: The Baroque Period in Italy and Spain
- 9: The Baroque in France and England in the 1600s
- 10: The Baroque Period in Northern Europe
- 11: Europe During the Rococo Period
- 12: Europe in the Second Half of the 1700s
- 13: Europe and North America in the Romantic Era (1789-1848)
- 14: The Age of Positivism
- 15: Europe in the Late 1800s
- 16: Europe and North America during the Modernist Revolution of 1904-1914
- 17: Art Between the Wars (WWI and WWII)
- 18: Postwar Europe and North America (after 1945)
- 19: The Postmodern World
- Back Matter
- Drawing - An Introduction to Studio Drawing
- This publication is intended to support a foundational level, hands-on introductory course in drawing with an emphasis upon skill-building and the visual and conceptual possibilities of art through drawing. A variety of projects and materials will be used to investigate the medium’s history, traditional approaches, and expressive possibilities. It presents the main concepts, processes, and stylistic approaches of drawing as a means of artistic expression as well as develops aesthetic judgment.
- Front Matter
- 1: Introduction
- 2: Drawing Materials
- 3: Drawing Mechanics
- 4: Line
- 5: Composition
- 6: Sighting
- 7: Perspective
- 8: Tone
- 9: Still Life
- 10: Landscape
- 11: Portraiture
- 12: Charcoal Drawing
- 13: Pen and Ink and Wash Drawing
- 14: 20th Century Modern Art Movements- Cubism
- 15: 20th Century Modern Art Movements - Surrealism
- 16: The Grid
- Back Matter
- Two Dimensional Design and Color
- This OER publication provides instruction support for a foundational level course that introduces the theoretical application of the art elements and principles of two-dimensional design and the practical applications of color theory. Exercises in visual thinking and the use of traditional principles of composition and two-dimensional media are emphasized through sequential, skill-building projects. The studio art major will gain insight into painting composition and an objective approach to col
- Front Matter
- 1: Introduction
- 2: Art Elements and Principles of Design
- 3: The Visual Field
- 4: Composition/Design Systems
- 5: Creating Depth in a Visual Field
- 6: Designing Within a Visual Field
- 7: Modern Aesthetics
- 8: Perspective
- 9: Space
- 10: Shape
- 11: Size and Scale
- 12: Movement
- 13: Line
- 14: Value
- 15: Elements of Color
- 16: Color Uses
- Back Matter