Art
- Page ID
- 21380
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)Art is a diverse range of human activities in creating visual, auditory or performing artifacts, expressing the author's imaginative, conceptual ideas, or technical skill, intended to be appreciated for their beauty or emotional power. Other activities related to the production of works of art include the criticism of art, the study of the history of art, and the aesthetic dissemination of art.
- Introduction to Art - Design, Context, and Meaning (Sachant et al.)
- This text offers a comprehensive introduction to the world of Art. Authored by four USG faculty members with advance degrees in the arts, this textbooks offers up-to-date original scholarship. It includes over 400 high-quality images illustrating the history of art, its technical applications, and its many uses. Combining the best elements of both a traditional textbook and a reader, it introduces such issues in art as its meaning and purpose; its meaning and purpose; its structure, material, an
- A World Perspective of Art Appreciation (Gustlin and Gustlin)
- Art appreciation is centered on the ability to view art throughout history, focusing on the cultures and the people, and how art developed in the specific periods. You cannot understand art without understanding the culture, their use of materials and sense of beauty. Art is also conveyed by the simple act of creating art for art’s sake. Every person is born with the innate desire to create art and similar to other professions, training is essential in honing skills to produce art.
- Front Matter
- 1: A World Perspective of Art Appreciation
- 2: The Dawn of Art (40,800 BCE – 5000 BCE)
- 3: The First Civilizations and their Art (5000 BCE – 1900 BCE)
- 4: Learning to Build and the Evolution of Tools and Symbolic Statues (1900 BCE - 400 BCE)
- 5: The Transition of Art (400 BCE – 200 CE)
- 6: The Sophisticated Art of Cultures (200 CE – 1400 CE)
- 7: The Sacred Buildings of Civilizations (200 CE – 1400 CE)
- 8: Renaissance - The Growth of Europe (1400 CE – 1550 CE)
- 9: The Beginning of Colonization (1550 CE – 1750 CE)
- 10: The New World Grows (1700 CE – 1800 CE)
- 11: The Industrial Revolution (1800 CE – 1899 CE)
- 12: The Modern Art Movement (1900 CE – 1930 CE)
- 13: The World is One (1930 – 1970)
- 14: The World is One (1960 CE – 1990s CE)
- 15: The New Millennium (2000 - 2020)
- Back Matter
- A World Perspective of Art History: 1400CE to the 21st Century (Gustlin and Gustlin)
- Visual arts are one of the oldest forms of communication between humans and the fundamental beliefs of their culture. The historical background of art history has been written from the canon of wealthy individuals from Western countries focusing on well-known art and artifacts in isolated environments. To become more culturally inclusive, the textbook is written to redefine art history by discussing art from every continent, civilization, and unknown artists and comparing different cultures that
- 0: Introduction to Art History
- 1: The Changing World (1400-1600)
- 2: The Growth of European Incursion (1600 CE – 1700 CE)
- 3: The Effects of Colonization (1700 CE – 1800 CE)
- 4: The Industrial Revolution (1800 CE – 1900 CE)
- 5: A World in Turmoil (1900-1940)
- 6: The Art of Engagement (1940-1970)
- 7: The Transformation of the Art World (1970-1999)
- 8: Millennial Art (2000-Present)
- Back Matter
- History of Modern and Contemporary Art (Gustlin and Gustlin)
- Art history studies culture and people’s development through time using multiple art disciplines. Visual arts are one of the oldest forms of communication between humans and the fundamental beliefs of their culture. The historical background of art history has been written from the canon of wealthy individuals from Western countries focusing on well-known art and artifacts in isolated environments. To become more culturally inclusive, the textbook is written to redefine art history.
- Herstory: A History of Women Artists (Gustlin)
- Herstory: A History of Women Artists is a remarkable and comprehensive textbook that offers a detailed and thorough exploration of the contributions of women artists throughout history. With ten chapters covering the earliest days of art to the present day, this resource is essential for students studying Art History and Gender Studies.
- Front Matter
- 1: Introduction to Women Artists
- 2: Ancient Art (45,000 BCE - 499 CE)
- 3: The Emergence of Women Artists in European Art (500 CE - 1600 CE)
- 4: The Women Artists 1600 CE - 1700 CE
- 5: Women Artists in the New World (1700 CE - 1800 CE)
- 6: Women Artists in the Industrial Age (1800 CE - 1900 CE)
- 7: Women Artists in the Early 20th Century (1900 CE - 1940 CE)
- 8: Women Artists in Modern Art Movements (1940 CE - 1970 CE)
- 9: Women Artists and the Influence of Feminism (1970 CE - 2000 CE)
- 10: Women Artists in the 21st Century
- Back Matter
- Asian Art History (Gustlin and Gustlin)
- The Asian Art History Textbook (ARTH 130 Survey of Asian Art) is a multidisciplinary field of study that explores the social, political, and economic contexts influencing the development of various art forms, including architecture, sculpture, painting, calligraphy, and ceramics in Asia. The text has been written in time sequence to compare multiple civilizations from 30,000 BCE to the 21st century, broadening the scope of art history by promoting cultural inclusivity.
- 1: Prehistoric Art of Dynastic Regions and Geographic Changes (30,000 BCE – 5000 BCE)
- 2: Neolithic Period (5000 BCE – 2000 BCE)
- 3: Bronze Age (2000 BCE – 500 BCE)
- 4: The Development of States - (800 BCE – 300 BCE)
- 5: The Maritime and Overland Silk Road (400 BCE – 50 BCE)
- 6: Unification of Empires (50 BCE – 500 CE)
- 7: Kingdoms and Dynasties (500 CE – 1000 CE)
- 8: Shifting Cultures and Population Explosion (1000 CE – 1500 CE)
- 9: Imperial Power (1500 CE – 1700 CE)
- 10: Global Impact (1700 CE – 1900 CE)
- 11: Modern Art (1900 CE – 1999 CE)
- 12: Millennium Art (2000 CE - Present)
- Introduction to Art History I (Myers)
- This textbook, designed specifically for C-ID ARTH 110 and produced by a team of art historians working within the CCC system, curates scholarly resources into a coherent textbook with chapter introductions, a comprehensive glossary, and explanatory editors’ notes. Throughout, it acknowledges and explores the historiography of art history and brings in global connections to provide a broader, more diverse, and more inclusive survey of art history from the Paleolithic through Gothic periods.
- Front Matter
- 1: Textbook Introduction
- 2: Introduction to Art History and Art Historical Analysis
- 3: The Visual Elements and Principles of Composition
- 4: Art of the Ancient Americas
- 5: Art of the Stone Age
- 6: The Ancient Near East
- 7: Ancient Egypt
- 8: The Ancient Aegean
- 9: Ancient Greece
- 10: The Etruscans
- 11: The Roman Empire
- 12: Late Antiquity
- 13: Medieval I- Reorganization of the Roman World and the Birth of Islam
- 14: Medieval II- Contested Empires
- 15: Medieval III- Reorganization of the East
- 16: Gothic Europe
- 17: Back Matter- Glossary and Index
- Back Matter
- Western Art from 18th to Mid-20th Century (Taylor)
- Historical developments in Western art from 18th century to the mid-20th century. Focus on European and American art.
- SmartHistory of Art
- SmartHistory of Art is a huge encyclopedia with over 7500 pages when printed. Remixed books should be limited to under 800 pages so they can be compiled and fit within the limit of 800 pages for books in our bookstore
- Front Matter
- 1: Prehistoric
- 2: Ancient Mediterranean
- 3: The Islamic World
- 4: Africa
- 5: Asia
- 6: Medieval Europe + Byzantine
- 7: Europe 1300 - 1800
- 8: Europe 1800 - 1900
- 9: Oceania
- 10: Modernisms 1900 – 1980
- 11: The Americas to 1900
- 12: Global cultures 1980 - now
- 13: Art that brings U.S. history to life
- 14: At-risk Cultural Heritage Education Series (ARCHES)
- Back Matter
- Introduction To Art (Jones)
- This course is called “Introduction to Art”. It might better be called “Introduction to Visual Culture” because that is what we are all engaged with from the moment we wake up until the end of our day. When you turn on your television, open your phone or computer, or simply walk outside you have already accessed visually any number of aesthetic objects that someone – for our purposes we’ll call her an artist – made choices about in its presentation.
- SmartHistory of Art 2e
- SmartHistory of Art is a huge encyclopedia. This collection presents the material as individual volumes. Materials can be remixed and used as needed and new material included as it becomes available. Compiling the volumes will take time, so it is not complete
- SmartHistory of Art I - Prehistoric Art
- SmartHistory of Art II - Ancient Mediterranean
- SmartHistory of Art III- The Islamic World
- SmartHistory of Art IV - Africa
- SmartHistory of Art IXc - Modernism in the US and Mexico 1900-1980
- SmartHistory of Art IXa - Modernisms 1900 to ~1945
- SmartHistory of Art IXb - Modernism 1945-1980
- SmartHistory of Art XIa - The Americas before 1500
- SmartHistory of Art XIb - North America 1500 to 1900
- SmartHistory of Art XIc - Latin America 1500 to 1900
- SmartHistory of Art XII - Global Cultures 1980 – Now
- SmartHistory of Art XIV- At-risk Cultural Heritage Education Series (ARCHES)
- SmartHistory of Art X - Oceania
- The Bright Continent - African Art History (Curnow)
- We come to art from various points. Some are out for a stroll and stumble upon objects that grab their attention. Others are equipped with guidebooks, methodically approaching and regularly revisiting both actual and virtual works. Still other viewers revel in the familiar, remaining attentive to details that cement life-long friendships. African art is no different. For some, it may initially hold few clues that help un-pack its meaning.
- Art Appreciation (Lumen)
- This text investigates how quality is determined and created by artists in order to evaluate and appreciate art on a deeper level. This course emphasizes why each topic contributes to valuing a piece of art and provides the necessary knowledge to do so. Students are first introduced to the elements and principles of art and the importance of artists’ context and perspective. The text then covers different periods in art history, different techniques in art, and how to research and evaluate art.
- Art History (Boundless)
- 'The Boundless Art History textbook is a college-level, introductory textbook that provides an overview of the culturally rich subject of Art History from pre-history through to modern global art.
- Front Matter
- 1: Thinking and Talking About Art
- 2: Prehistoric Art
- 3: Art of the Ancient Near East
- 4: Ancient Egyptian Art
- 5: Art of the Aegean Civilizations
- 6: Ancient Greece
- 7: The Etruscans
- 8: The Romans
- 9: The Byzantines
- 10: Islamic Art
- 11: Art of South and Southeast Asia Before 1200 CE
- 12: China and Korea After 1279 CE
- 13: Japan Before 1333 CE
- 14: Native-American Art Before 1300 CE
- 15: Africa Before 1800 CE
- 16: Early Medieval Europe
- 17: Romanesque Art
- 18: Gothic Art
- 19: The Italian Renaissance
- 20: The Northern Renaissance
- 21: The Baroque Period
- 22: South and Southeast Asia After 1200 CE
- 23: Chinese and Korean Art Before 1279 CE
- 24: Japan After 1333 CE
- 25: The Americas After 1300 CE
- 26: Oceania
- 27: Africa in the Modern Period
- 28: European and American Art in the 18th and 19th Centuries
- 29: Europe and America from 1900-1950 CE
- 30: Global Art Since 1950 CE
- Back Matter
- Art History I (Lumen)
- History of Art Survey course covering from prehistoric art to the Italian
- Front Matter
- 1: Introduction
- 2: The Birth of Art
- 3: The Ancient Near East
- 4: The Art of Ancient Egypt
- 5: The Art of Ancient Greece I
- 6: The Art of Ancient Greece II
- 7: The Art of the Etruscans
- 8: The Art of Ancient Rome I
- 9: The Art of Ancient Rome II
- 10: Early Christian Art
- 11: Early Medieval, Carolingian, and Ottonian Art
- 12: Byzantine Art
- 13: The Arts of the Islamic World
- 14: Romanesque Art
- 15: Gothic Art
- Back Matter
- Art History II (Lumen)
- Front Matter
- 1: Introduction
- 2: Proto-Renaissance (1300–1400)
- 3: 1400–1500—Art in Northern Europe
- 4: 1400–1500—Art in Italy
- 5: 1500–1600—High Renaissance and Mannerism in Italy
- 6: 1500–1600—The Age of Reformation- Northern Renaissance Art
- 7: 1600–1700—Baroque Art in Italy
- 8: 1600–1700—Baroque Art in Flanders, Dutch Republic, Spain and France
- 9: 1700–1800—The Age of Enlightenment
- 10: 1800–1848—Industrial Revolution Part I
- 11: 1848–1907—Industrial Revolution Part II
- 12: 1907–1960—Age of Global Conflict Part I
- 13: 1907–1960—Age of Global Conflict Part II
- 14: 1960–Now—Age of Post-Colonialism Part I
- 15: 1960–Now—Age of Post-Colonialism Part II
- Back Matter
- Creators, Collectors & Communities (Martin)
- Ann Smart Martin's Spring 2017 museum course's work on the Driftless Historium's inaugural exhibit. This includes all labels and images of the objects as well as detailed object essays and music.
- American Encounters: Art, History, and Cultural Identity (Miller, Berlo, Wolf, and Roberts)
- American Encounters provides a narrative of the history of American art that focuses on historical encounters among diverse cultures, upon broad structural transformations such as the rise of the middle classes and the emergence of consumer and mass culture, and on the fluid conversations between "high" art and vernacular expressions.
- 2D Design Studio Handbook (Brooks)
- 2D art, or two-dimensional art, is any visual art that is represented on a flat or virtually flat surface and exists in two dimensions, such as height and width. It is typically viewed from a single perspective and can be created using a variety of mediums, such as pencil, charcoal, ink, watercolors, and oil paints. 2D art often employs materials such as paper, canvas, wood panels, or digital screens as its support.
Thumbnail: Clockwise from upper left: an 1887 self-portrait by Vincent van Gogh; a female ancestor figure by a Chokwe artist; detail from The Birth of Venus (c. 1484-1486) by Sandro Botticelli; and an Okinawan Shisa lion.