Introductory Composition
- Page ID
- 66271
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)- A Short Handbook for Writing Essays in the Humanities and Social Sciences (Allosso and Allosso)
- About Writing - A Guide (Jeffery)
- Basic Reading and Writing (Lumen)
- Composing Ourselves and our World (Burrows, Fowler and Locklear)
- EmpoWord - A Student-Centered Anthology and Handbook for College Writers (Abrams)
- About Writing Guide with Handbook - A textbook for English Composition (OpenStax)
- English Composition - Connect, Collaborate, Communicate (Inoshita, Garland, Sims, Keuma, & Williams)
- English Composition I: Rhetorical Methods–Based (Lumen)
- Exploring Perspectives - A Concise Guide to Analysis
- Grammar Essentials (Excelsior Online Writing Lab)
- Horse of a Different Color - English Composition and Rhetoric
- Introduction to College Composition (Lumen)
- Let's Get Writing (Browning, DeVries, Boylan, Kurtz and Burton)
- Oregon Writes Open Writing Text (Kepka)
- Pocket Style Guide (Frost and Samra)
- Rhetoric and Composition (Bay College)
- Successful College Composition (Crowther et al.)
- The Roadrunner’s Guide to English (Crisp et al.)
- The Word on College Reading and Writing (Burnell et al.)
- Writing for Success (McLean)
- Writing for Success (1st Canadian Edition)
- Writing for Success (Weaver et al.)
- Writing in College - From Competence to Excellence (Guptill)
- Writing Spaces - Readings on Writing I (Lowe and Zemliansky Eds.)
- Writing Spaces - Readings on Writing II (Lowe and Zemliansky Eds.)
- You, Writing! A Guide to College Composition (Glynn, Hallsten-Erickson, and Swing)
- Remix: Expression and Inquiry (Manning et al.)
- Writing Unleashed (Priebe)
- The Anti-Textbook of Writing (Priebe)
- Write or Left (Priebe)
- Rhetoric and Composition (Wikibooks)
- Writers' Handbook
- Informed Arguments: A Guide to Writing and Research (Pantuso, LeMire, and Anders)
- Guide to Writing (SUNY/Lumen)
- Critical Reading, Critical Writing (Howard Community College)
- Rhetoric - What, Why, and How?
- Heritages of Change - Curatorial Activism and First-Year Writing (Tracy)
- College Skills: Intermediate English (Canadian)
- Writing and Reading Rhetoric Manual – What, Why, and How? 3e
- Write-What-Matters (Liza Long, Amy Minervini, and Joel Gladd)
- Thinking Rhetorically: Writing for Professional and Public Audiences
Thumbnail: Close-up of traditional fountain pen used for Composition. (CC BY-SA 4.0; Petar Milošević via Wikipedia)