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17: Secondary Dominant Chords

  • Page ID
    117481
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    Chapter 17 Secondary Dominant Chords

    So far we have studied diatonic harmony (chords without accidentals, with the exception of the use of raised 6^ and 7^ in minor, which are considered diatonic). In the following chapters, we will study chromatic harmony.


    This page titled 17: Secondary Dominant Chords is shared under a GNU Free Documentation License 1.3 license and was authored, remixed, and/or curated by Robert Hutchinson via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.