Music Theory
- Page ID
- 213969
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Music theory is the study of the practices and possibilities of music. Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of what constitutes music, a more inclusive definition could be the consideration of any sonic phenomena, including silence.
- Music Theory for the 21st-Century Classroom (Hutchinson)
- Music Theory for the 21st–Century Classroom is an openly–licensed online four–semester college music theory textbook. This text differs from other music theory textbooks by focusing less on four–part (SATB) voiceleading and more on relating harmony to the phrase. Also, in traditional music theory textbooks, there is little emphasis on motivic analysis and analysis of melodic units smaller than the phrase.
- Front Matter
- 1: Basic Concepts
- 2: Major Scales and Key Signatures
- 3: Minor Scales and Key Signatures
- 4: Basics of Rhythm
- 5: Intervals
- 6: Triads
- 7: Roman Numerals and Cadences
- 8: Seventh Chords
- 9: Harmonic Progression and Harmonic Function
- 10: Non-Chord Tones
- 11: Melodic Analysis
- 12: Form in Popular Music
- 13: Phrases in Combination
- 14: Accompanimental Textures
- 15: Creating Contrast Between Sections
- 16: Figured Bass
- 17: Secondary Dominant Chords
- 18: Secondary Diminished Chords
- 19: Mode Mixture
- 20: The Neapolitan Chord
- 21: Augmented Sixth Chords
- 22: Modulation
- 23: Enharmonic Modulation
- 24: Binary and Ternary Forms
- 25: Sonata and Rondo Forms
- 26: Voice Leading Triads
- 27: Voice Leading With Non-Chord Tones
- 28: Voice Leading With Non-Chord Tones
- 29: Voice Leading Chromatic Harmonies
- 30: Introduction to Counterpoint
- 31: Introduction to Jazz Theory
- 32: Impressionism and Extended Tonality
- 33: Set Theory
- 34: Serialism
- 35: Minimalism
- Back Matter
- A Practical Approach to Understanding Music Theory (Brooks)
- A Practical Approach to Understanding Music Theory is a textbook designed for the non-music performance major or music business/audio engineer who needs to professionally interface with musicians without needing to write or compose music.
- Open Music Theory 1e (Wharton and Shaffer Eds)
- This textbook is meant to support active student engagement with music in the theory classroom. That means that this text is meant to take a back seat to student music making (and breaking). It is not the center of the course. The three original authors use this textbook in the context of “inverted” or “flipped” courses, often following an inquiry-based model. As a result, most of the pages in this textbook do not read like a typical twentieth-century textbook.
- Sound Reasoning (Brandt and McClure)
- The text offers a new approach to music appreciation for adults, focusing on style-independent concepts. While the course concentrates primarily on Western classical and modern music, the concepts that are introduced apply to music of any style or era. The goal of “Sound Reasoning” is to equip you with questions that you may ask of any piece of music, thereby creating a richer and more comprehensive understanding of music both familiar and unfamiliar.
- Understanding Basic Music Theory (Schmidt-Jones)
- The main purpose of the course, however, is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. Remember, the main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.
- Music Theory (LibreTexts)
- This text is primarily designed to serve as a textbook for a college-level music theory fundamentals course. However, it also has the flexibility to serve equally well for a typical core curriculum college-level Music Theory I or Harmony I course. Our goal is to deliver sufficient information to enable the student to be able to evaluate and analyze select music from the literature as quickly as is practical.
- Fundamentals, Function, and Form (Mount)
- This text provides readers with a comprehensive study of the theory and analysis of tonal Western art music. Author Andre Mount begins by building a strong foundation in the understanding of rhythm, meter, and pitch as well as the notational conventions associated with each. From there, he guides the reader through an exploration of polyphony—the simultaneous sounding of multiple independent melodies—and an increasingly rich array of different sonorites that grow out of this practice.