4: United States in the 19th century
- Page ID
- 165285
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Artists began to develop their own styles and approaches.
c. 1800 - 1900
- 4.3: Romanticism
- 4.3.1: Washington Allston, Elijah in the Desert
- 4.3.2: Thomas Cole
- 4.3.2.1: Expulsion from the Garden of Eden
- 4.3.2.2: The Oxbow
- 4.3.2.3: Thomas Cole, The Architect's Dream
- 4.3.2.4: The Hunter's Return
- 4.3.3: Hicks’s The Peaceable Kingdom as Pennsylvania parable
- 4.3.5: Emanuel Gottlieb Leutze
- 4.3.5.1: Washington Crossing the Delaware
- 4.3.5.2: Westward the Course of Empire Takes Its Way
- 4.3.6: Rothermel, De Soto Raising the Cross on the Banks of the Mississippi
- 4.3.7: Jasper Francis Cropsey, Mount Jefferson, Pinkham Notch, White Mountains
- 4.3.8: Frederic Edwin Church
- 4.3.8.1: Niagara and Heart of the Andes
- 4.3.8.2: Cotopaxi
- 4.3.8.3: The Iceberg
- 4.3.9: Fitz Henry Lane, Owl’s Head, Penobscot Bay, Maine
- 4.3.10: Albert Bierstadt, Hetch Hetchy Valley, California
- 4.3.11: Thomas Moran, Grand Canyon of the Yellowstone
- 4.4: The U.S. Civil War in Art
- 4.4.1: Introduction to the U.S. Civil War in Art
- 4.4.2: “The Immediate Cause of the Civil War,” an introduction
- 4.4.3: The problem of picturing slavery
- 4.4.4: Michelle Browder, Mothers of Gynecology
- 4.4.5: Literacy and slavery- David Drake, Double-handled jug
- 4.4.6: Images in a divided world
- 4.4.7: Imagining the West, territorial expansion, and the politics of slavery
- 4.4.8: Memory and commemoration of the U.S. Civil War, an introduction
- 4.4.9: Experiences of the U.S. Civil War, an introduction
- 4.4.10: Refugees, prisoners, and displacement
- 4.4.11: Homes and families
- 4.5: Realism
- 4.5.1: Francis Guy, Winter Scene in Brooklyn
- 4.5.2: John Wesley Jarvis, Black Hawk and His Son Whirling Thunder
- 4.5.3: William Sidney Mount, Bargaining for a Horse
- 4.5.4: John James Audubon, The Wild Turkey
- 4.5.5: Richard Caton Woodville, War News from Mexico
- 4.5.6: George Caleb Bingham, Country Politician
- 4.5.7: George Caleb Bingham, The County Election
- 4.5.8: Frederic Church, The Natural Bridge, Virginia
- 4.5.9: Blythe, Justice
- 4.5.10: Thomas Hovenden, The Last Moments of John Brown
- 4.5.11: Eastman Johnson, A Ride for Liberty — The Fugitive Slaves
- 4.5.12: Lilly Martin Spencer, The Home of the Red, White, and Blue
- 4.5.13: Samuel Colman, Jr., Ships Unloading, New York
- 4.5.14: Thomas Eakins
- 4.5.14.1: The Champion Single Sculls (Max Schmitt in a Single Scull)
- 4.5.14.2: The Gross Clinic with Timothy Rub
- 4.5.14.3: The Gross Clinic
- 4.5.15: Winslow Homer
- 4.5.15.1: The U.S. Civil War, sharpshooters and Winslow Homer
- 4.5.15.2: Army Teamsters
- 4.5.15.3: Taking Sunflower to Teacher
- 4.5.15.4: The Life Line
- 4.5.15.5: The Fog Warning (or Halibut Fishing)
- 4.5.15.6: Northeaster
- 4.5.16: Grafton Tyler Brown, View of the Lower Falls, Grand Canyon of the Yellowstone
- 4.7: Aestheticism and the Gilded Age
- 4.7.1: James Abbott McNeill Whistler
- 4.7.1.1: Symphony in White, No. 1- The White Girl
- 4.7.1.2: Nocturne in Black and Gold- The Falling Rocket
- 4.7.2: John Singer Sargent
- 4.7.2.1: El Jaleo
- 4.7.2.2: The Daughters of Edward Darley Boit
- 4.7.2.3: Madame X (Madame Pierre Gautreau)
- 4.7.2.4: Carnation, Lily, Lily, Rose
- 4.7.2.5: Kehinde Wiley on John Singer Sargent
- 4.7.3: Childe Hassam
- 4.7.3.1: Childe Hassam, Snowstorm, Madison Square
- 4.7.3.2: Childe Hassam, Horticulture Building, World’s Columbian Exposition, Chicago
- 4.8: Photography
- 4.8.1: Carleton Watkins
- 4.8.1.1: Eagle Creek, Columbia River
- 4.8.1.2: Peaks and perils- The life of Carleton Watkins
- 4.8.2: Timothy O’Sullivan
- 4.8.2.1: A Harvest of Death
- 4.8.2.2: Ancient Ruins in the Cañon de Chelle
- 4.8.3: Jacob Riis, “Knee-Pants” at Forty-Five Cents a Dozen—A Ludlow Street Sweater’s Shop, from How the Other Half Lives
- 4.9: Sculpture and architecture
- 13.4.9.21: Burnham and Root
- 4.9.21.1: The Monadnock Building
- 4.9.21.2: Reliance Building
- 13.4.9.23: Carrère and Hastings, The New York Public Library
- 4.9.1: The Alamo (and Mission San Antonio de Valero)
- 4.9.2: Inventing America, Colt’s Experimental Pocket Pistol
- 4.9.3: Cultures and slavery in the American south- a Face Jug from Edgefield county
- 4.9.4: David Drake, Double-handled jug
- 4.9.5: Little Round House
- 4.9.6: John Quincy Adams Ward, The Freedman
- 4.9.7: Anna Pottery, Snake jug
- 4.9.8: Hiram Powers, The Greek Slave
- 4.9.9: William Wetmore Story, Cleopatra
- 4.9.10: Thomas Crawford, George Washington Equestrian Monument
- 4.9.11: Slave Burial Ground, University of Alabama
- 4.9.12: Seneca Village- the lost history of African Americans in New York
- 4.9.13: Olmsted and Vaux, Central Park
- 4.9.14: William Howard (attributed), Writing desk
- 4.9.15: Herter Brothers, Mark Hopkins House Side Chair
- 4.9.16: Robert Mills and Lieutenant Colonel Thomas Lincoln Casey, Washington Monument
- 4.9.17: The light of democracy — examining the Statue of Liberty
- 4.9.18: Monument Avenue and the Lost Cause
- 4.9.19: Defeated, heroized, dismantled- Richmond’s Robert E. Lee Monument
- 4.9.20: Shrady and Casey, Ulysses S. Grant Memorial
- 4.9.22: Louis Sullivan
- 13.4.9.22.2: Carson, Pirie, Scott Building
- 4.9.22.1: Bayard-Condict Building