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32.4: Polychords

  • Page ID
    117592
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    A polychord typically consists of two triads sounding simultaneously. A polychord could also consist of two seventh chords, or a seventh chord and triad. Additionally, a polychord could conceivably consist of more than two triads or seventh chords, since the prefix “poly” means “many.”

    Perhaps the most famous polychord is the “Rite of Spring chord,” an E♭7 chord sounding over an F♭ major chord, which occurs during the “Dance of the Adolescents.”

    polychord-rite-chord.svg

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    Figure \(\PageIndex{1}\): Stravinsky, Rite of Spring, “Dance of the Adolescents”

    Polychords are notated using a horizontal line between the chords instead of a slash. The slash was used for slash chords (see Subsection 6.3.1).

    polychord-how-to-notate.svg

    Also note that it is not necessary to specify the inversion of each of the chords in the polychord.

    In th example below, Copland voices an A major chord below an E major chord.

    polychord-app-spr-e-over-a.svg

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    Figure \(\PageIndex{2}\): Copland, Appalachian Spring

    In the example below, features chromatically ascending dominant seventh chords in the left hand against a repeating three-chord cycle of G–F–C in the right hand.

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    Figure \(\PageIndex{3}\): Stravinsky, Petrushka, Fourth Tableau: The Shrovetide Fair (Toward Evening)

    This page titled 32.4: Polychords is shared under a GNU Free Documentation License 1.3 license and was authored, remixed, and/or curated by Robert Hutchinson via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.