Skip to main content
Humanities LibreTexts

32.3: Quartal, Quintal, and Secundal Harmony

  • Page ID
    117591
  • \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \) \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)\(\newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\) \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\) \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\) \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\) \( \newcommand{\Span}{\mathrm{span}}\) \(\newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\) \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\) \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\) \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\) \( \newcommand{\Span}{\mathrm{span}}\)\(\newcommand{\AA}{\unicode[.8,0]{x212B}}\)

    32.3 Quartal, Quintal, and Secundal Harmony

    Quartal harmony refers to chords stacked entirely (or mostly) in fourths. Quintal harmony refers to chords stacked entirely (or mostly) in fifths. Secundal harmony refers to chords stacked entirely (or mostly) in seconds. Contrast these concepts with the tertian (stacked in thirds) harmony we’ve encountered in the majority of this text. Alternative methods of stacking chords became more common after 1900 as composers sought ways to innovate and break with the past.

    The next three examples demonstrate quartal harmony.

    Figure \(\PageIndex{1}\): Schoenberg, Chamber Symphony No. 1, Op. 9

    Figure \(\PageIndex{2}\): John Parker, CHiPs Theme

    Figure \(\PageIndex{3}\): Merv Griffin and Julann Wright, Jeopardy! Theme

    The following is an extended example of quintal harmony.

    Figure \(\PageIndex{4}\): Bartók, Piano Concerto No. 2, II.

    This page titled 32.3: Quartal, Quintal, and Secundal Harmony is shared under a GNU Free Documentation License 1.3 license and was authored, remixed, and/or curated by Robert Hutchinson via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.