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32.5: Practice Exercises

  • Page ID
    117593
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    Day One

    1.

    Use of modes. Given the melody and chord symbols for “London Bridge” in Phrygian mode, analyze the chords as lead-sheet symbols (“LSS”) and as Roman numerals (“RN”).

    PRAC-EXER-london-br-phryg.svg

    Answer.

    2.

    Use of parallelism. Harmonize the opening of “London Bridge” so each note of the melody note is the 9th of a dominant ninth chord.

    PRAC-EXER-london-br-planing.svg

    Answer.

    Day Two

    3.

    Quartal, Quintal, and Secundal Harmony. After analyzing the given chord as a lead-sheet symbol, revoice it in four ways:

    1. as a six-note tertian chord stacked only in thirds
    2. as a six-note quartal chord stacked only in perfect 4ths
    3. as a six-note quintal chord stacked only in perfect 5ths
    4. as a six-note secundal chord stacked only in 2nds

    PRAC-EXER-ext-tonal-revoicing.svg

    Answer.

    4.

    Polychords. Harmonize “London Bridge” using the specified polychords. Remember that the chords can be in any inversion, but should should be playable (i.e., without too big of a stretch for the hands of the pianist).

    PRAC-EXER-polychord-writing.svg

    Answer.

    Click here to download the first homework assignment for this chapter. Click here to download the second homework assignment for this chapter.


    This page titled 32.5: Practice Exercises is shared under a GNU Free Documentation License 1.3 license and was authored, remixed, and/or curated by Robert Hutchinson via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.

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