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- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Music_on_the_Move_(Fosler-Lussier)/01%3A_Migration/1.03%3A_The_Romani_Diaspora_in_EuropeIn the words of the musicologist David Schneider, “‘Gypsy music’ refers to the popular music often performed in cafés or restaurants in regions historically belonging to Hungary by professional musici...In the words of the musicologist David Schneider, “‘Gypsy music’ refers to the popular music often performed in cafés or restaurants in regions historically belonging to Hungary by professional musicians who are frequently ethnic Romanies.” 8 For a long time people made no distinction between the “Hungarian” style of music and the “Gypsy” style: Hungarians thought of the music Romungro people played as Hungarians’ own (after all, it was made for them), and Western Europeans thought the Hungaria…
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Music_on_the_Move_(Fosler-Lussier)/00%3A_Front_Matter
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Music_on_the_Move_(Fosler-Lussier)/00%3A_Front_Matter/07%3A_IntroductionIn the words of Seyla Benhabib: “Whether in politics or in policy, in courts or in the media, one assumes that each human group ‘has’ some kind of ‘culture’ and that the boundaries between these group...In the words of Seyla Benhabib: “Whether in politics or in policy, in courts or in the media, one assumes that each human group ‘has’ some kind of ‘culture’ and that the boundaries between these groups and the contours of their cultures are specifiable and relatively easy to depict.” 14 Once people define and give names to certain groups, they treat those groups and their “culture” as real; naming them seems to nail down those boundaries.
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Music_on_the_Move_(Fosler-Lussier)/00%3A_Front_Matter/05%3A_Media_Chronology1910s 78 rpm records widely available (not the only recording speed) 1930s Magnetic tape used by German government for propaganda recordings 1946 Only 0.5 percent of US households have television sets...1910s 78 rpm records widely available (not the only recording speed) 1930s Magnetic tape used by German government for propaganda recordings 1946 Only 0.5 percent of US households have television sets 1947 Magnetic tape available for commercial recordings; can be spliced to edit 1949 45 rpm “singles” (1 song on a side) cheaply available 1954 More than 55 percent of US households have television sets More than 98 percent of US households have color television sets
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Music_on_the_Move_(Fosler-Lussier)/zz%3A_Back_Matter
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Music_on_the_Move_(Fosler-Lussier)/zz%3A_Back_Matter/21%3A_NotesBruno Nettl, “Hanging On for Dear Life: Archives and Preservation,” in The Study Page 256 →of Ethnomusicology: Thirty-One Issues and Concepts (Champaign: University of Illinois Press, 2005), 167; Grah...Bruno Nettl, “Hanging On for Dear Life: Archives and Preservation,” in The Study Page 256 →of Ethnomusicology: Thirty-One Issues and Concepts (Champaign: University of Illinois Press, 2005), 167; Graham Freeman, “‘It Wants All the Creases Ironing Out’: Percy Grainger, the Folk Song Society, and the Ideology of the Archive,” Music and Letters 92, no.
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Music_on_the_Move_(Fosler-Lussier)/01%3A_Migration/1.01%3A_Introduction_to_MigrationThus, the practical challenges migrants have experienced include not only transportation and finding means to support themselves but also administrative difficulties in gaining and keeping the right t...Thus, the practical challenges migrants have experienced include not only transportation and finding means to support themselves but also administrative difficulties in gaining and keeping the right to be in a new place (dealing with the state) and the challenge of being perceived as foreign by people who share a strong sense of belonging (dealing with the nation).
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Music_on_the_Move_(Fosler-Lussier)/01%3A_Migration/1.04%3A_The_African_Diaspora_in_the_United_States43 An observer in the 1880s wrote: “When the minister gave out his own version of the Psalm, the choir commenced singing so rapidly that the original tune absolutely ceased to exist—in fact, the fine ...43 An observer in the 1880s wrote: “When the minister gave out his own version of the Psalm, the choir commenced singing so rapidly that the original tune absolutely ceased to exist—in fact, the fine old psalm tune became thoroughly transformed into a kind of negro melody; and so sudden was the transformation, by accelerating the time, for a moment, I fancied that not only the choir but the little congregation intended to get up a dance as part of the service.” 44 Frequently, African Americans …
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Music_on_the_Move_(Fosler-Lussier)/00%3A_Front_Matter/06%3A_LicensingA detailed breakdown of this resource's licensing can be found in Back Matter/Detailed Licensing.
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Music_on_the_Move_(Fosler-Lussier)/03%3A_Mashup/3.03%3A_Copyright_Surveillance_and_the_Ownership_of_Music80 Recognizing that the World Trade Organization’s regulations did a poor job of meeting the needs of people in lower-income countries, the World Bank has joined the Senegalese government and musician...80 Recognizing that the World Trade Organization’s regulations did a poor job of meeting the needs of people in lower-income countries, the World Bank has joined the Senegalese government and musicians to create “The Africa Music Project,” “an ongoing effort by World Bank staff to help Africans to advance the business and cultural potential of their music.” The project’s authors raised the possibility that Page 199 →“the legal environment should not be imposed from outside,” but the platform ca…
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Music_on_the_Move_(Fosler-Lussier)/03%3A_Mashup/3.04%3A_LocalizationsLike the self-concept of the Europeans who visited the Paris Exposition in 1889, this vision of the modern may include an industrialized economy, the use of ever-advancing science and technology, a we...Like the self-concept of the Europeans who visited the Paris Exposition in 1889, this vision of the modern may include an industrialized economy, the use of ever-advancing science and technology, a well-functioning administrative state, and styles of music that change rapidly in their movement toward the “new.” Whereas Europeans used this idea to separate themselves from peoples they deemed “primitive” (chapter 1), many non-Europeans also adopted the “modern” as a standard by which to measure t…
