7.5: Reading like a writer can help you develop conversations in your essays
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)Returning to the conversation example above, it is important to remember that you are not just having a conversation with and about abstract ideas. Rather, you are having conversations with your sources, and your sources are having conversations with other sources. Your academic writing will be strongest when you
1) show the conversations that are happening in your sources
2) create new conversations between your sources
Showing the Conversations happening in your sources
Use your active reading strategies to pay attention to what ideas your sources draw on and who they cite. The sciences and social sciences take this strategy very seriously. That's why academic articles begin with a literature review. You want to make sure that your experiment isn't just repeating past experiments. Whenever you are writing with sources, you need to establish what conversation has already happened before you can join it.
If you are using a source that taking part in a conversation, you might find it helpful to describe that conversation. Consider this example from Vershawn Ashanti Young's essay "Should Writers Use They Own English?". In the essay, Young is having a conversation with another scholar, Stanley Fish. Young begins his essay by paraphrasing and quoting Fish.
Cultural critic Stanley Fish come talkin bout—in his three-piece New York Times “What Should Colleges Teach?” suit—there only one way to speak and write to get ahead in the world, that writin teachers should “clear [they] mind of the orthodoxies that have taken hold in the composition world” (“Part 3”). He say dont no student have a rite to they own language if that language make them “vulnerable to prejudice”; that “it may be true that the standard language is [...] a device for protecting the status quo, but that very truth is a reason for teaching it to students” (Fish “Part 3”).
Then, Young directly responds to Fish
But dont nobody’s language, dialect, or style make them “vulnerable to prejudice.” It’s ATTITUDES. It be the way folks with some power perceive other people’s language. Like the way some view, say, black English when used in school or at work. Black English dont make it own-self oppressed. It be negative views about other people usin they own language, like what Fish expressed in his NYT blog, that make it so.
If you wanted to include Young's ideas in your essay, you would want to summarize or paraphrase the conversation between Young and Fish. Young's statements about where oppression comes from are more powerful BECAUSE they are part of a conversation. So, you might write something like this:
In "Should Writers Use They Own English," Vershawn Ashanti Young describes the discrimination that occurs when writing teachers insist that students only use "standard language." Young responds to Stanley Fish, a prominant scholar in the field of composition studies. Fish claimed that students who don't use standard language are "vulnerable to prejudice," but Young replies that "Black English dont make it own-self oppressed. It be negative views about other people usin they own language, like what Fish expressed in his NYT blog, that make it so."
2) create new conversations between your sources
A second useful strategy is to look for ways to put your sources together in new ways. If your assignment asks you to "synthesize", then you are being asked to put your sources in conversation. As you're taking notes, if you're using a Triple-Entry Journal you can use one of the columns to make connections between sources. Look for places where different sources seem to be talking about the same ideas, using the same terms, or using the same kinds of examples. Here's an example from Young
But, let me be fair to my man Stan. He prolly unware that he be supportin language discrimination, cuz he appeal to its acceptable form–standard language ideology also called “dominant language ideology” (Lippi-Green). Standard language ideology is the belief that there is one set of dominant language rules that stem from a single dominant discourse (like standard English) that all writers and speakers of English must conform to in order to communicate effectively. Dominant language ideology also say peeps can speak whateva the heck way they want to—BUT AT HOME!
Here Young is combining the ideas from Stanley Fish with the ideas from Lippi-Green. A look at the Works Cited page tells us that Rosina Lippi-Green wrote a book in 1997 titled English with an Accent: Language, Ideology and Discrimination in the United States. By citing this book from 1997. Young is showing us that this conversation has a long history, and that he understands the conversation just as well, if not better, than Fish. Combining these sources allows Young to carve out a space in the conversation that is his: by combining these two sources, Young is now in a space where he can add his own new ideas.
Use existing patterns within your essay
By reading as a writer, you can begin to notice the ways that writers use similar patterns to have conversations in essays.
There are many patterns that writers repeatedly use
One the one hand .... on the other hand....
While I agree with X's point that .... I disagree with ....
X makes a good point about ...., but overlooks ....
In other words ....
Whenever you read something interesting, look for ways that you can borrow the sentence structures and paragraphs. Here's an interesting paragraph from Cathy Davidson's book Now You See It
Another recent study, this one led by sociologist Clifford Nass at Stanford University, made headlines by pronouncing that even die-hard multitaskers are worse at multitasking than those who concentrate on only one thing at a time. That was the gleeful soundbite (“See!”) that hit the media. But the study itself has a very interesting conclusion that leaves the door open on that exact question. The authors conclude that “heavy media multitaskers . . . performed worse on a test of task-switching ability, likely due to reduced ability to filter out interference from the irrelevant task set.” Translated from psychologese to English, that means that the multitaskers transferred some knowledge from one task (the task the testers deemed irrelevant) to the other task they were performing. Does that make them bad multitaskers--or good ones? Don’t we want to be applying information from one situation to another? Perhaps the “reduced ability to filter out interference” is actually a new mashup style of mental blending that helps one be a good multitasker. Outside a testing situation, in real life, it is precisely your susceptibility to distraction that makes you inclined to switch to another task and then, after a time, to switch back or to another one. But what if in all that switching we’re not just forgetting but we are creating a new, blended cognitive map of what we’re learning, task to task, from the process? In the end, isn’t remixing what all learning should be?
In this paragarph, Davidson presents as idea that she disagrees with. You can use the structures of this paragraph as templates for making a counterargument
In "title", (author) argues (main point or key conclusion). Many would agree this argument because.... But what if there's another conclusion to draw? What if...?
Perhaps when Author says "quote," we can interpet this as ....
When author says "quote", does that mean .....? Or, does it mean that ....?