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24.4: Rounded Binary

  • Page ID
    117529
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    24.4 Rounded Binary

    In a rounded binary form, the material at the beginning of the first section returns, often shortened, after a contrasting phrase at the beginning of the second section. A generic phrase diagram of rounded binary form is shown below.

    bin-tern-rounded-bin-diagram.svg

    Below is an example of a rounded binary form.

    bin-tern-rounded-bin-k284-A.svg

    bin-tern-rounded-bin-k284-B.svg

    bin-tern-rounded-bin-k284-C.svg

    bin-tern-rounded-bin-k284-D.svg

    /
    Figure \(\PageIndex{1}\): Mozart, Piano Sonata in D major, K. 284, III.

    bin-tern-rounded-bin-k284-DIAGRAM.svg

    Because both the first section (the A section) and second section (the B section) repeat in the example above, this form would be called “two-reprise continuous rounded binary form.”

    Another example of a rounded binary form is below.

    bin-tern-rounded-bin-schubertD41-A.svg

    bin-tern-rounded-bin-schubertD41-B.svg

    bin-tern-rounded-bin-schubertD41-C.svg

    /
    Figure \(\PageIndex{2}\): Schubert, 20 Minuets, D. 41, No. 18 in F major

    This form of the example above would be called “two-reprise continuous rounded binary form” because:

    • “Two-reprise” means both the first and second sections repeat
    • “Continuous” means the first section does not end on the tonic chord
    • In a rounded binary form the opening melody returns after contrasting material

    Rounded binary form is often encountered in compositions during the Classical era (1750–1825) in music by Haydn, Mozart, and Beethoven, especially as the form of a theme from a theme and variations, and as the minuet and/or trio section in a Minuet and Trio.


    This page titled 24.4: Rounded Binary is shared under a GNU Free Documentation License 1.3 license and was authored, remixed, and/or curated by Robert Hutchinson via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.

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