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24.3: Balanced Binary

  • Page ID
    117528
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    24.3 Balanced Binary

    A balanced binary form, according to Douglass Green in his book, Form in Tonal Music, features a binary form with a first section (the A section) ending in a new key, and the second section ending with essentially the same cadence, now transposed to the original key, as in the following piece by Bach.

    bin-tern-balanced-bin-f-maj-inv-A.svg

    bin-tern-balanced-bin-f-maj-inv-B.svg

    bin-tern-balanced-bin-f-maj-inv-C.svg

    bin-tern-balanced-bin-f-maj-inv-D.svg

    bin-tern-balanced-bin-f-maj-inv-E.svg

    bin-tern-balanced-bin-f-maj-inv-F.svg

    bin-tern-balanced-bin-f-maj-inv-G.svg

    bin-tern-balanced-bin-f-maj-inv-H.svg

    /
    Figure \(\PageIndex{1}\): J.S. Bach, Invention No. 8 in F major, BWV 779

    Because the first section of a balanced binary ends in a new key, it is inherently a continuous binary form.

    Balanced binary form can be found in movements from the Baroque era, including dance suites by Bach, Handel, and others. The movement below shows the endings of the first and section sections of the Courante from J.S. Bach’s French Suite No. 6 in E major, BWV 817.

    bin-tern-balanced-bin-french-suite-A.svg

    /
    Figure \(\PageIndex{2}\): J.S. Bach, French Suite No 6 in E, BWV, 817 Courante, bars 15–16

    bin-tern-balanced-bin-french-suite-B.svg

    /
    Figure \(\PageIndex{3}\): J.S. Bach, French Suite No 6 in E, BWV, 817 Courante, bars 31–32

    This page titled 24.3: Balanced Binary is shared under a GNU Free Documentation License 1.3 license and was authored, remixed, and/or curated by Robert Hutchinson via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.