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22.5: How to Recognize a Key After a Modulation

  • Page ID
    117516
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    Look for the following cues when examining music containing modulations:

    1. Look for recurring accidentals, then add them to the key signature to determine the new key
      1. Lowered notes (like flats) usually create 4^ (as do the flats in key signatures)
      2. Raised notes (like sharps) often create 7^ , the leading tone
        1. If there are multiple raised notes, look for the “sharpest of sharps” (in key signature order) to determine which sharp is acting as 7^
    2. If accidentals are canceled out, they indicate tonicizations or chromatic non-chord tones

    mod-identifying-new-key.svg

    Figure \(\PageIndex{1}\): J.S. Bach, English Suite No. 4 in F Major, BWV 809, Sarabande (ca. 1715)

    This page titled 22.5: How to Recognize a Key After a Modulation is shared under a GNU Free Documentation License 1.3 license and was authored, remixed, and/or curated by Robert Hutchinson via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.