References
- Page ID
- 172106
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80. Greenblatt, Cultural Mobility, 5.
81. Felgata and de Haas, Soultana Raps for Change.
82. Appiah, “Whose Culture Is It, Anyway?” 210.
83. Canclini, Hybrid Cultures, xli–xliv; Ashwani Sharma, “Sounds Oriental: The (Im)Possibility of Theorizing Asian Musical Cultures,” in Dis-Orienting Rhythms: The Politics of the New Asian Dance Music, ed. Sanjay Sharma, John Hutnyk, and Ashwani Sharma (London: Zed, 1996), 22.
84. Niang, “Bboys,” 176.
85. Canclini, Hybrid Cultures, xliii.
86. Marc D. Perry, “Global Black Self-Fashionings: Hip Hop as Diasporic Space,” Identities 15, no. 6 (2008): 636–39; Reinhard Meyer-Kalkus, “World Literature beyond Goethe,” trans. Kevin McAleer, in Greenblatt, Cultural Mobility, 120.
87. Kelly and Kaplan, Represented Communities, 27–28, 85–86, 98–99.
Conclusion
1. Philip Rieff, “The Impossible Culture: Wilde as a Modern Prophet” (1970), introduction to Oscar Wilde, The Soul of Man under Socialism (New York: Harper and Row, 1970), xv. A forthcoming biography by Benjamin Moser attributes some of Rieff’s work from this period to his spouse, Susan Sontag.
2. Rieff, “The Impossible Culture,” xxvii–xxviii.
3. Arjun Appadurai, Fear of Small Numbers: An Essay on the Geography of Anger (Durham: Duke University Press, 2006), 83.
4. Stephen Greenblatt, Cultural Mobility: A Manifesto (New York: Cambridge University Press, 2010), 252.
5. Arjun Appadurai, Modernity at Large: Cultural Dimensions of Globalization (Minneapolis: University of Minnesota Press, 1996), 3.
6. Appadurai, Fear of Small Numbers, 128.
7. Appadurai, Modernity at Large, 3–4.
8. Appadurai, 1–2.
9. Appadurai, Fear of Small Numbers, 1–3.
10. Saskia Sassen, Territory—Authority—Rights: From Medieval to Global Assemblages (Princeton: Princeton University Press, 2006), 200–203.
11. Appadurai, Fear of Small Numbers, 5–11, 44–47.
12. Appadurai, 53.
13. Lisa Gilman, My Music, My War: The Listening Habits of U.S. Troops in Iraq and Afghanistan (Middletown, CT: Wesleyan University Press, 2016), 4–9, 52–79.
14. Suzanne G. Cusick, “‘You Are in a Place That Is Out of the World . . .’: Music in the Detention Camps of the ‘Global War on Terror,’” Journal of the Society for American Music 2, no. 1 (2008): 1–26.
15. Anthony Kwame Harrison, “Post-Colonial Consciousness, Knowledge Production, Page 277 →and Identity Inscription within Filipino American Hip Hop Music,” Perfect Beat 13, no. 1 (2012): 45.
16. Oscar Wilde, The Soul of Man under Socialism, 237.
17. Rieff, “The Impossible Culture,” xviii.
18. Rieff, xv–xvi.
19. Rieff, xxi.
20. V. Kofi Agawu, The African Imagination in Music (New York: Oxford University Press, 2016), 23–24.
21. Craig Calhoun, “Imagining Solidarity: Cosmopolitanism, Constitutional Patriotism, and the Public Sphere,” Public Culture 14, no. 1 (Winter 2002): 169–70. See also Charles Taylor, Modern Social Imaginaries (Durham: Duke University Press, 2004), 7–14.
22. Kwame Anthony Appiah, The Ethics of Identity (Princeton: Princeton University Press, 2005), 220–21.
23. Arjun Appadurai, “The New Territories of Culture: Globalization, Cultural Uncertainty and Violence,” in Keys to the 21st Century, ed. Jérôme Bindé (New York: Berghahn, 2001), 138.
24. Appiah, The Ethics of Identity, 268.
25. Nestór García Canclini, “Toward Hybrid Cultures?” in Keys to the 21st Century, ed. Jérôme Bindé (New York: Berghahn, 2001), 143–44.
26. See also Olivia Bloechl with Melanie Lowe, “Introduction: Rethinking Difference,” in Rethinking Difference in Music Scholarship, ed. Olivia Bloechl, Melanie Lowe, and Jeffrey Kallberg (New York: Cambridge University Press, 2015), 41–46.
27. Nestór García Canclini, Hybrid Cultures: Strategies for Entering and Leaving Modernity, trans. Bruce Campbell (Minneapolis: University of Minnesota Press, 1995), xli, xliv.
28. Jairo Moreno, “Difference Unthought,” in Rethinking Difference in Music Scholarship, ed. Olivia Bloechl, Melanie Lowe, and Jeffrey Kallberg (New York: Cambridge University Press, 2015), 386.
29. Moreno, 391, 401, 415–16.
30. Philippe van Parijs, “Concluding Reflections: Solidarity, Diversity, and Social Justice,” in The Strains of Commitment: The Political Sources of Solidarity in Diverse Societies, ed. Keith Banting and Will Kymlicka (Oxford: Oxford University Press, 2017), 424.
31. Appiah calls these points of practical agreement “project-dependent values” in The Ethics of Identity, 243, 253.
32. Calhoun, “Imagining Solidarity,” 148.
33. Calhoun, 149, 154–58.
34. Calhoun, 171.
35. John D. Kelly and Martha Kaplan, Represented Communities: Fiji and World Decolonization (Chicago: University of Chicago Press, 2001), 27–28, 85–86, 98–99.
36. Canclini, Hybrid Cultures, xxxi.
37. Wilde quoted in Rieff, “The Impossible Culture,” xi.
38. Appiah, The Ethics of Identity, 245. For examples of such interactions see Danielle Fosler-Lussier, Music in America’s Cold War Diplomacy (Oakland: University of California Page 278 →Press, 2015); and Mark Katz, Build: The Power of Hip Hop Diplomacy in a Divided World (New York: Oxford University Press, 2019).
39. Appiah, The Ethics of Identity, 226–28, 236.
40. De Zengotita, Mediated, 9, 14–18, 263; Philip Rieff, My Life among the Deathworks (Charlottesville: University of Virginia Press, 2006), xxii.
41. Bloechl with Lowe, “Introduction: Rethinking Difference,” 52.
42. Appiah, The Ethics of Identity, 254–56.
43. Canclini, Hybrid Cultures, xliii.