1.6: Bibliografía
- Page ID
- 88420
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)Amossy, Ruth. “L’industrialisation de la peur.”Les idées reçues: sémiologie du stéréotype. Paris: Nathan, 1991. 121-142.
Blake, William. Engraving. 1795-1797. Night Thoughts Object 12 (Bentley 515.12). Collection of Robert N. Essick. William Blake Archive.
Cadalso, José. Noches lúgubres. Correo de Madrid 319, 322, 323, 325 (December 1789 - January 1790). Noches lúgubres por el coronel D. José Cadalso, imitando el estilo de las que escribió en inglés el doctor Young. Barcelona: La Inprenta [sic] de Sastres, 1798. Biblioteca Digital Hispánica. Biblioteca Nacional de España.
Comte, Pierre-Charles. Couronnement d’Inés de Castro en 1361. c. 1849. Oil on canvas. Museum of Fine Arts, Lyon. Wikimedia Commons. Wikimedia Foundation.
Dowling, John. “Las Noches lúgubres de Cadalso y la juventud romántica del Ochocientos.” Coloquio Internacional sobre José Cadalso, Bolonia, 26-29 October 1982. Italy: Piovan, 1985. 105-124. Biblioteca Virtual Miguel de Cervantes. Fundación Biblioteca Virtual Miguel de Cervantes.
Goya y Lucientes, Francisco de. Ensayo de brujas primerizas. c. 1796-1797. Pen and oak gall ink on laid paper. Sueños n. 2. Museo del Prado, Madrid. Wikimedia Commons. Wikimedia Foundation.
—. Ensayos. c. 1797-1799. Aquatint on laid bone paper. Caprichos n. 60. Museo del Prado, Madrid. Wikimedia Commons. Wikimedia Foundation.
—. El sueño de la razón produce monstruos. c. 1797-1799. Aquatint on laid bone paper. Caprichos n. 43. Museo del Prado, Madrid. Wikimedia Commons. Wikimedia Foundation.
Heckes, Frank I. “Goya’s Caprichos.” 1978. National Gallery of Victoria.