Skip to main content

Registration is now open for this year's LibreFest! Join us virtually the week of July 13.

Register here
Humanities LibreTexts

2.08: Article: American Neoclassicism

  • Page ID
    174583
  • \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)

    \( \newcommand{\dsum}{\displaystyle\sum\limits} \)

    \( \newcommand{\dint}{\displaystyle\int\limits} \)

    \( \newcommand{\dlim}{\displaystyle\lim\limits} \)

    \( \newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\)

    ( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\)

    \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

    \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\)

    \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)

    \( \newcommand{\Span}{\mathrm{span}}\)

    \( \newcommand{\id}{\mathrm{id}}\)

    \( \newcommand{\Span}{\mathrm{span}}\)

    \( \newcommand{\kernel}{\mathrm{null}\,}\)

    \( \newcommand{\range}{\mathrm{range}\,}\)

    \( \newcommand{\RealPart}{\mathrm{Re}}\)

    \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

    \( \newcommand{\Argument}{\mathrm{Arg}}\)

    \( \newcommand{\norm}[1]{\| #1 \|}\)

    \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)

    \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\AA}{\unicode[.8,0]{x212B}}\)

    \( \newcommand{\vectorA}[1]{\vec{#1}}      % arrow\)

    \( \newcommand{\vectorAt}[1]{\vec{\text{#1}}}      % arrow\)

    \( \newcommand{\vectorB}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \( \newcommand{\vectorC}[1]{\textbf{#1}} \)

    \( \newcommand{\vectorD}[1]{\overrightarrow{#1}} \)

    \( \newcommand{\vectorDt}[1]{\overrightarrow{\text{#1}}} \)

    \( \newcommand{\vectE}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash{\mathbf {#1}}}} \)

    \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \(\newcommand{\longvect}{\overrightarrow}\)

    \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)

    \(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)
    A painting from the late 1800s, with a goddess floating above a farm. Native Americans are running, and there is a covered wagon in the background.
    “American Progress” by John Gast, 1872, CC-PD
    Exercise \(\PageIndex{1}\): Before You Read

    Answer the following questions with a partner. Compare your answers.

    1. How have ancient or historical cultures, either in your country or from another country, influenced your country in the following ways?
      • Political
      • Art and architecture
      • Religion/philosophy
      • Literature
      • Science
    2. Skim the next reading. What do you think is the author’s purpose of the text: to inform, entertain, or to persuade? How will that affect the way you take notes on the reading?

    The following 2 charts will help you with the next reading. They have some architectural vocabulary that can help you identify common features found in both Classical and Neoclassical architecture.

    image
    Architectural aspects of a reconstruction of the Parthenon. From “A History of Architecture on the Comparative Method”, 1921.
    doric column: rather plain and flat, ionic, more decorative with swirl design, Corinthian, very decorative with leaf shaped and swirl designs.
    The three classical orders of Greek and Roman column types.

    Here is a link with more information on Greek architecture, from Lumen Learning. 

    Exercise \(\PageIndex{2}\): Vocabulary in Context

    Guess the vocabulary in parentheses () using the context of the sentence.

    1. At certain times in Western history, the ideas of the ancient Greeks and Romans (resurfaced) to change the culture of the times.
    2. Using logic and learning by (empirical evidence) helped some of the most famous scientists of the time, like Copernicus and Galileo Galilei, make great discoveries.
    3. The Age of Enlightenment is another time of Neoclassicism, which is when ancient Greek and Roman influence appear again in Western history. This (era) started in France in the mid-1700s…
    4. Many people did not like this and took the opportunity to find a new home in a new land across the Atlantic Ocean. However, England still wanted control over the (settlers).
    5. This was around the time that Thomas Jefferson (incorporated) Classical ideas into the creation of the Declaration of Independence in 1776.
    6. The New World needed a new government, and thus the founding fathers of the United States wanted to combine what they (loathed) of the British monarchy with the successes of, and the lesson learned from the Greco-Roman democracies of the past.

    American Neoclassicism

    by Charity Davenport

    What is Neoclassicism?

    Even though ancient Greek and Roman culture and society ended around 476 CE with the fall of the Roman Empire, more than a thousand years later, the language, art, architecture, philosophy, and political and scientific thought have continued to live on. At certain times in Western history, the ideas of the ancient Greeks and Romans resurfaced to change the culture of the times. This happened in Italy in the 1500s in their Renaissance, which spread to England, inspiring writers like Shakespeare, and to France and the rest of Europe. Many of the paintings you will see throughout this book have come from this period. This is known as “Renaissance Classicism”. “Renaissance” is French for “rebirth”, and Classicism refers to the study of Classics, which for people in the Western world refers to knowledge about the ancient Greeks and Romans.

    One of the philosophies that was popular during the Italian Renaissance came from Greek philosophy and thought. Using logic and learning by empirical evidence helped some of the most famous scientists of the time, like Copernicus and Galileo Galilei, make great discoveries.

    The Age of Enlightenment was another period when ancient Greek and Roman influence appeared again in Western history. This era started in France in the mid-1700s, again showing Greek and Roman influence in art and architecture, but also helping influence advancements in philosophy, politics, and scientific discoveries. This was around the time that Thomas Jefferson, one of the seven founding fathers of America along with George Washington, America’s first president, incorporated Classical ideas into the creation of the Declaration of Independence in 1776.

    Neoclassicism in Early America

    English settlers fled to the New World in the early 1600s to escape religious persecution. In the 1500s much of Europe was Roman Catholic, but England decided to make its own church, called the Church of England, and people were required to change to this new church. Many people did not like this and took the opportunity to find a new home in a new land, North America, across the Atlantic Ocean. However, England still wanted control over the settlers. Eventually the settlers went to war against Britain and won their freedom. In 1776, America was born, and the architects of the new government took inspiration from ancient Greek and Roman ideas.

    the Statue of Liberty, a statue designed with neoclassical elements, described later in the reading.
    The Statue of Liberty, gifted to the US in 1886.
    Photo credits: Elocobbola, CC-BY-SA
    A female allegorical figure with a helmet with Native American headress feathers and sheathed sword, representing defense, symbolizing American liberty
    The Statue of Freedom stands on top of the US Capitol. Installed in 1863. CC-PD
    682px-Canova-Washington.JPG
    Statue of George Washington dressed as a Roman Emperor. By famous neoclassical sculptor, Antonio Canova in 1821.
    Photo credits: RadioFan, CC-BY-SA

     

    Neoclassicism Inspires a New Government

    The New World needed a new government, and thus the founding fathers of the United States wanted to combine what they loathed of the British monarchy with the successes of and the lesson learned from the Greco-Roman democracies of the past. In the late 18th century, the founding fathers created a republican government modeled on Greek and Roman ideals – liberty, room for debate and reform as laws need to be changed or added at times, and a system built to limit tyranny, as well as a system that allows power to be held by many, not by a few at the top. One interesting topic borrowed from the ancient Romans was the power to pardon, written in the US Constitution. This idea may have come from Julius Caesar, who had his senate build temples to Clementia, the Roman goddess of clemency, to show how forgiving he was to his enemies, pardoning those who had done crimes against the state in order to turn them into his supporters. The founding fathers also looked at the mistakes the Roman Empire had made and studied the reasons for its fall to help make sure the same would not happen to the US.

    Neoclassicism in American Art

    Images of freedom, such as Athena, the Greek goddess of wisdom in battle, can be seen in art from early America, as well as the usual red, white, and blue with stars that are now made popular in the American flag. Even before there was Uncle Sam, there was Columbia, the goddess-like personification of the spirit of early America, who can be found often in early American art and sculptures. There are statues of George Washington, who fought in the Revolutionary War against Britain, becoming America’s first president and founding father, dressed as a Roman emperor. The bald eagle is the national animal of the US and was also used in early American art. Early Americans loved how majestic the bald eagle looked, flying high with long, spread out wings, free as they were, free from the British. But the Romans had also used the eagle as a symbol of strength, since it was a symbol of Zeus.

    Illustration of Columbia. She is wearing Greek goddess style clothing, including an American flag wrapped around her. She has a shield with stars on a blue background at the top and red and white stripes below.
    Columbia on a beer ad in 1896, CC-PD
    a colorful and very Classical Greek designed relief with lady Columbia holding an American flag, a Native American woman next to her, holding a bow and quiver of arrows, both surrounded by chubby cherubs. In the middle is the profile of George Washington and the word "Washington."
    Columbia and Native Princess around Washington, Columbia 1856, in the US Capitol, CC-PD
    lady liberty walking, holding a branch, wearing the American flag like a Greek dress.
    Columbia as “Lady Liberty” on the half-dollar in circulation from 1916-1947, CC-PD

    Greek and Roman influence can also be seen in early American architecture. Thomas Jefferson himself designed his house, Monticello, inspired by Neoclassical art from Italy at the time. Later, the Statue of Liberty, also known as Lady Liberty, a gift from France in 1886, was built by Gustave Eiffel in the image of Libertas, the Roman goddess of Liberty. Many famous buildings and statues in the US from the 1700s and 1800s show how much Greek and Roman history and culture influenced early Americans and the Americans of today.

    In both American art and architecture, the important idea of democratic justice is conveyed on and around courthouses around the nation. Most courthouses are built in the neoclassical style with tall columns and with statues representing justice and liberty nearby. A popular image in statues across the country is Lady Justice. She is often seen blindfolded, holding a set of balances in one hand and a sword in the other. We often say in English that “justice is blind”–the truth has no prejudices. Lady Justice is the personification of justice and comes from the Titaness Themis.

    Thomas Jefferson's Monticello has a very Greek look, with the front entrance having 4 Greek columns holding up a triangular pediment
    Thomas Jefferson designed his home, the Monticello, found in Charlottesville, VA.
    Photo by Martin Falbisoner, CC-BY-SA
    the north side of the White House, with similar 4 Ionic design columns holding up a triangular pediment
    The US White House in Washington DC.
    Photo by Martin Falbisoner, CC-BY-SA
    a close up of the Supreme Court building, focused on 4 Corinthian style columns holding up a very decorative pediment with statues inside much like the Parthenon. Under the pediment are the words "equal justice under law."
    Front of the Supreme Court in Washington, DC. Photo by Matt H. Wade, CC_BY-SA
    the US capitol with, you guessed it--Greek inspired architecture. Columns, pediments, and statues nearby.
    The US Capitol in Washington DC.
    Photo by Andrew Bossi, CC-BY-SA
    The Lincoln Memorial, this building looks very similar to the Parthenon, with Doric columns and a long rectangular design. In the frieze are images of eagles and inscriptions of the names of states and when they became a state of the US.
    Lincoln Memorial in Washington DC.
    Photo by David Bjorgen, CC_BY-SA
    a statue of lady Justice, blindfolded, holding a sword in her left hand and holding up scales in her right hand.
    Lady Justice.
    Photo by WilliamCho on Pixabay, CC0

     

    ladylex.jpg
    Lady Justice sits in the middle. “Lex” is Latin for “law,” and we get words like “legal” and “legislation” from this Latin root of “lex”. The Transmission of the Law by H. Siddons Mowbray in the Appellate Division, First Department at 27 Madison Ave., NY, NY. Photo by Teodors Ermansons. Reproduced with the permission of the Historical Society of the New York Courts and its website: www.nycourts.gov/history. Any other use of this material is strictly prohibited.

    CEFR Level: CEF Level B2

    Exercise \(\PageIndex{3}\): Comprehension and Critical Thinking Questions

    Discuss the following questions with a classmate.

    1. How was the early American government influenced by the ancient Greeks and Romans?
    2. What is the difference between a republic and a democracy?
    3. What are other types of government mentioned here? How do they govern?
    4. What kind of government does your country have?
    5. Click on each of the five examples above of American neoclassical architecture. What do you notice that is similar in each image of the building? What features would you identify as possible features of Greek and Roman architecture that was borrowed by Americans in the 1800s? Use the chart at the top of this page for help.
    6. Go back to the “before you read” questions. After reading, would you change your answers?
    7. Go to this website of Thomas Cole's paintings, or go to this website: http://web.sbu.edu/theology/bychkov/cole.html. Look at this set of paintings by Thomas Cole. What is happening in each painting? What do you think is the purpose of this set of paintings?
    8. The following paintings are part of a fresco painted in 1865 by Greek-Italian artist Constantino Brumidi inside the dome of the US Capitol Building in Washington, DC. It is called “The Apotheosis of Washington”, featuring George Washington sitting on a throne in heaven as if he had become a Greek god. This work shows a lot of Greek influence. How many Greek figures can you recognize? Some are from the previous reading. How does each section represent a part of America? Could they represent your country as well? Use the title of the work to help you.
    In this part of the mural, George Washington is seated in the clouds. Below, a woman holds a sword and shield which bears resemblance to the American flag. Next to her is an eagle holding arrows.
    1 - WAR
    In this part of the mural, there is a Greek goddess figure. She is holding a spear and wearing a helmet. She is talking to a few people, and people behind her are listening and writing something down.
    2 - SCIENCE
    In this part of the mural, there is a god holding a trident and sitting in a seashell chariot pulled by horses.
    3 - MARINE
    In this part of the mural, there is a god wearing a hat with wings. In his right hand, he is holding a caduceus. In his left hand, he's holding a bag of money. To his right, some people are carrying some goods.
    4 - COMMERCE
    In this part of the mural, a god stands in the middle with his foot resting on a cannon. There are cannonballs, and men are working in a forge.
    5 - MECHANICS
    In this part of the mural, there is some farm equipment that a goddess is sitting on, which is pulled by horses. She is holding a cornucopia filled with fruit and under her is harvested wheat.
    6 - AGRICULTURE

    You can check your answers at this link. 

    All images for this exercise are CC-PD.


    This page titled 2.08: Article: American Neoclassicism is shared under a CC BY-NC-SA license and was authored, remixed, and/or curated by Charity Davenport.

    • Was this article helpful?