7: Dada + Surrealism
- Page ID
- 188110
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These two movements reconceptualized what art could be, impacting art making through today.
c. 1913 - 1939
- 7.1: Dada
- 7.1.1: A beginner's guide to Dada
- 7.1.1.1: Introduction to Dada
- 7.1.1.2: Dada Manifesto
- 7.1.1.3: Dada Pataphysics
- 7.1.1.4: Dada Politics
- 7.1.1.5: Dada Collage
- 7.1.1.6: Dada Readymades
- 7.1.1.7: Dada Performance
- 7.1.2: Marcel Duchamp
- 7.1.2.1: Nude Descending a Staircase, No 2
- 7.1.2.2: Art as concept- In Advance of the Broken Arm
- 7.1.2.3: Fountain
- 7.1.2.4: The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)
- 7.1.2.5: Boite-en-valise, Series F
- 7.1.2.6: Marcel Duchamp and the Viewer
- 7.1.3: Max Ernst, Two Children Are Threatened by a Nightingale
- 7.1.4: Raoul Hausmann, Spirit of the Age- Mechanical Head
- 7.1.5: Dada's "Aproximate Man"- A Portrait of Tristan Tzara (1919) by Marcel Janco
- 7.1.6: Hannah Höch,Cut with the Kitchen Knife Dada Through the Last Weimar Beer Belly Cultural Epoch of Germany (essay)
- 7.1.7: Francis Picabia, Ideal
- 7.2: Surrealism
- 7.2.1: A beginner's guide
- 7.2.1.1: Surrealism, an introduction
- 7.2.1.2: The Case for Surrealism
- 7.2.1.3: Surrealism- Origins and Precursors
- 7.2.1.4: Surrealism and Psychoanalysis
- 7.2.1.5: Surrealist Techniques- Automatism
- 7.2.1.6: Surrealist Techniques- Subversive Realism
- 7.2.1.7: Surrealist Techniques- Collage
- 7.2.1.8: Surrealist Photography
- 7.2.1.9: Surrealist Exhibitions
- 7.2.1.10: Surrealism and Women
- 7.2.1.11: A brief guide to Egyptian Surrealism
- 7.2.2: Man Ray, The Gift
- 7.2.3: René Magritte, The Treachery of Images (Ceci n’est pas une pipe)
- 7.2.4: Salvador Dalí
- 7.2.4.1: The Persistence of Memory
- 7.2.4.2: Metamorphosis of Narcissus
- 7.2.5: Alberto Giacometti, The Palace at 4 a.m.
- 7.2.6: Meret Oppenheim, Object (Fur-covered cup, saucer, and spoon)