4: Cubism + early abstraction
- Page ID
- 188107
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)A new, modern world demanded new ways of seeing and representing the things in it.
c. 1907 - 1939
- 4.5: Pablo Picasso
- 4.5.1: How to paint like Pablo Picasso (Cubism)
- 4.5.2: Picasso’s Early Work
- 4.5.3: Guernica
- 4.5.4: Portrait of Gertrude Stein
- 4.5.5: Les Demoiselles d'Avignon
- 4.5.6: Pablo Picasso, Three Women
- 4.5.7: 4.5.7-The Reservoir, Horta de Ebro
- 4.5.8: Pablo Picasso, Portrait of Daniel-Henry Kahnweiler
- 4.5.9: Still Life with Chair Caning
- 4.5.10: Pablo Picasso, The Three Musicians
- 4.5.11: Guitar
- 4.10: Russian avant-garde
- 4.10.1: Russian Neo-Primitivism- Natalia Goncharova and Mikhail Larionov
- 4.10.2: Kazmir Malevich, Suprematist Composition- White on White
- 4.10.3: Kasimir Malevich and Cubo-Futurism
- 4.10.4: Suprematism, Part I- Kasimir Malevich
- 4.10.5: Suprematism, Part II- El Lissitzky
- 4.10.6: Constructivism, Part I
- 4.10.7: Constructivism, Part II
- 4.10.8: Tatlin’s Tower
- 4.10.9: Varvara Stepanova, The Results of the First Five-Year Plan
- 4.14: De Stijl
- 4.14.1: De Stijl, Part I- Total Purity
- 4.14.2: De Stijl, Part II- Near-Abstraction and Pure Abstraction
- 4.14.3: De Stijl, Part III- The Total De Stijl Environment
- 4.14.4: Piet Mondrian
- 4.14.4.1: Composition with Red, Blue, and Yellow
- 4.14.4.2: Composition No. II, with Red and Blue
- 4.14.4.3: TateShots- Piet Mondrian


