3: Fauvism + Expressionism
- Page ID
- 188106
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These two movements opened the way for even greater experimentation with color and abstract form.
c. 1900 - 1930
- 3.1: Fauvism
- 3.1.1: Women in the Interior I Museums Without Borders
- 3.1.2: Fauvism, an introduction
- 3.1.3: Fauve Landscapes and City Views
- 3.1.4: André Derain, The Dance
- 3.1.5: Henri Matisse
- 3.1.5.1: Luxe, calme et volupté
- 3.1.5.2: Open Window, Collioure
- 3.1.5.3: Bonheur de Vivre
- 3.1.5.4: Dance I
- 3.1.5.5: The Red Studio
- 3.1.5.6: The Blue Window
- 3.1.5.7: Goldfish
- 3.1.5.8: The Piano Lesson
- 3.1.5.9: The illustrated book Jazz
- 3.1.5.10: The Dance at the Barnes Foundation
- 3.2: Expressionism
- 3.2.1: Expressionism, an introduction
- 3.2.2: Expressionism as Nordic?
- 3.2.3: Der Blaue Reiter
- 3.2.4: Ernst Ludwig Kirchner
- 3.2.4.1: Self-Portrait As a Soldier
- 3.2.4.2: Street, Dresden
- 3.2.4.3: Street, Berlin
- 3.2.5: Paula Modersohn-Becker, Self-Portrait Nude with Amber Necklace, Half-Length I
- 3.2.6: Emil Nolde, Young Couple
- 3.2.7: Alexej von Jawlensky, Young Girl in a Flowered Hat
- 3.2.8: 3.2.8-Vasily Kandinsky
- 3.2.8.1: Kandinsky, Apocalypse, Abstraction
- 3.2.8.2: Improvisation 28 (second version)
- 3.2.8.3: Klänge (Sounds)
- 3.2.9: Franz Marc and the animalization of art
- 3.2.10: Egon Schiele
- 3.2.10.1: Seated Male Nude (Self-Portrait)
- 3.2.10.2: Nazi looting- Egon Schiele’s Portrait of Wally
- 3.2.10.3: The Hermits
- 3.2.10.4: Wangechi Mutu on Egon Schiele