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- https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/06%3A_Medieval_Europe_and_Byzantine/6.06%3A_ByzantineAt Jerusalem, Constantine’s church of the Holy Sepulchre (dedicated 336) marked the sites of Christ’s Crucifixion, Entombment, and Resurrection, and consisted of a sprawling complex with an atrium ope...At Jerusalem, Constantine’s church of the Holy Sepulchre (dedicated 336) marked the sites of Christ’s Crucifixion, Entombment, and Resurrection, and consisted of a sprawling complex with an atrium opening from the main street of the city; a five-aisled, galleried congregational basilica; an inner courtyard with the rock of Calvary in a chapel at its southeast corner; and the aedicula of the Tomb of Christ, freed from the surrounding bedrock, to the west.
- https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/07%3A_Europe_(1300_-_1800)/7.13%3A_17th_century-_Baroque_(II)Based on a suggestion made by the Dutch art historian Abraham Bredius in the 1930s, Held argued persuasively for the identification of the subject as Aristotle contemplating a bust of the blind ancien...Based on a suggestion made by the Dutch art historian Abraham Bredius in the 1930s, Held argued persuasively for the identification of the subject as Aristotle contemplating a bust of the blind ancient Greek poet Homer (who lived some 400 years prior to Aristotle and who is credited as the author of the of the epic poems the Iliad and the Odyssey).
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/06%3A_Medieval_Europe__Byzantine/6.06%3A_ByzantineAt Jerusalem, Constantine’s church of the Holy Sepulchre (dedicated 336) marked the sites of Christ’s Crucifixion, Entombment, and Resurrection, and consisted of a sprawling complex with an atrium ope...At Jerusalem, Constantine’s church of the Holy Sepulchre (dedicated 336) marked the sites of Christ’s Crucifixion, Entombment, and Resurrection, and consisted of a sprawling complex with an atrium opening from the main street of the city; a five-aisled, galleried congregational basilica; an inner courtyard with the rock of Calvary in a chapel at its southeast corner; and the aedicula of the Tomb of Christ, freed from the surrounding bedrock, to the west.
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/07%3A_Europe_1300_-_1800/7.13%3A_17th_century-_Baroque_(II)Based on a suggestion made by the Dutch art historian Abraham Bredius in the 1930s, Held argued persuasively for the identification of the subject as Aristotle contemplating a bust of the blind ancien...Based on a suggestion made by the Dutch art historian Abraham Bredius in the 1930s, Held argued persuasively for the identification of the subject as Aristotle contemplating a bust of the blind ancient Greek poet Homer (who lived some 400 years prior to Aristotle and who is credited as the author of the of the epic poems the Iliad and the Odyssey).
