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- https://human.libretexts.org/Courses/Housatonic_Community_College/Art_E103%3A_Art_History_III_(1840Present)/05%3A_Contemporary_Art_(c.1980present)/5.03%3A_Identity_and_the_bodyAlready critical of modernism because of its male-centered ideology, they filled the ranks of postmodernism to such extent that the critic Craig Owens described this congruence as a “crossing of the f...Already critical of modernism because of its male-centered ideology, they filled the ranks of postmodernism to such extent that the critic Craig Owens described this congruence as a “crossing of the feminist critique of patriarchy and the postmodernist critique of representation.” Sherrie Levine re-photographed a suite of images by the photographer Walker Evans in order to void his authorship.
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/12%3A_Global_cultures_1980_-_now/12.03%3A_Identity_and_the_bodyOne of the faces in Models is taken from an image of the feminist author Simone de Beauvoir and although it should not be taken as an overt symbol, it is clear that Dumas’s critical interrogation of t...One of the faces in Models is taken from an image of the feminist author Simone de Beauvoir and although it should not be taken as an overt symbol, it is clear that Dumas’s critical interrogation of the “beautiful” is part of a feminist lineage in art that includes, to take only but a few examples, the photo-documented performance Carving—A Traditional Sculpture (1971) by Eleanor Antin, the photo-text work of Lorna Simpson (“Twenty Questions (A Sampler) (1986), the self-portraits of Cindy Sherm…
- https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_II_(Kuznetsova)/13%3A_The_Classical_Era_Classical_Forms_and_Symphony_J._Haydn/13.01%3A_Overview_of_the_Classical_Era_of_MusicThis led to changes in the way music was performed, the most crucial of which was the move to standard instrumental groups and the reduction in the importance of the continuo—the rhythmic and harmonic...This led to changes in the way music was performed, the most crucial of which was the move to standard instrumental groups and the reduction in the importance of the continuo—the rhythmic and harmonic ground of a piece of music, typically played by a keyboard (harpsichord or organ) and potentially by several other instruments.
- https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/13%3A_Global_cultures_(1980_-_now)/13.03%3A_Identity_and_the_bodyOne of the faces in Models is taken from an image of the feminist author Simone de Beauvoir and although it should not be taken as an overt symbol, it is clear that Dumas’s critical interrogation of t...One of the faces in Models is taken from an image of the feminist author Simone de Beauvoir and although it should not be taken as an overt symbol, it is clear that Dumas’s critical interrogation of the “beautiful” is part of a feminist lineage in art that includes, to take only but a few examples, the photo-documented performance Carving—A Traditional Sculpture (1971) by Eleanor Antin, the photo-text work of Lorna Simpson (“Twenty Questions (A Sampler) (1986), the self-portraits of Cindy Sherm…
- https://human.libretexts.org/Courses/Southwestern_College/Art_104%3A_Introduction_To_Art_(Donovan)/05%3A_Art_and_Identity/5.08%3A_Identity_and_the_bodyOne of the faces in Models is taken from an image of the feminist author Simone de Beauvoir and although it should not be taken as an overt symbol, it is clear that Dumas’s critical interrogation of t...One of the faces in Models is taken from an image of the feminist author Simone de Beauvoir and although it should not be taken as an overt symbol, it is clear that Dumas’s critical interrogation of the “beautiful” is part of a feminist lineage in art that includes, to take only but a few examples, the photo-documented performance Carving—A Traditional Sculpture (1971) by Eleanor Antin, the photo-text work of Lorna Simpson (“Twenty Questions (A Sampler) (1986), the self-portraits of Cindy Sherm…
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/06%3A_Medieval_Europe__Byzantine/6.05%3A_Early_ChristianOne can imagine that early Christians—who were rallying around the nascent religious authority of the Church against the regular threats of persecution by imperial authority—would find great meaning i...One can imagine that early Christians—who were rallying around the nascent religious authority of the Church against the regular threats of persecution by imperial authority—would find great meaning in the story of Moses of striking the rock to provide water for the Israelites fleeing the authority of the Pharaoh on their exodus to the Promised Land.
- https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/06%3A_Medieval_Europe_and_Byzantine/6.05%3A_Early_ChristianOne can imagine that early Christians—who were rallying around the nascent religious authority of the Church against the regular threats of persecution by imperial authority—would find great meaning i...One can imagine that early Christians—who were rallying around the nascent religious authority of the Church against the regular threats of persecution by imperial authority—would find great meaning in the story of Moses of striking the rock to provide water for the Israelites fleeing the authority of the Pharaoh on their exodus to the Promised Land.
