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4.23: Lesson 13: Sound and Rhythm in Poetry

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    Musicality of Poems

    Poems have a musicality to them. They are meant to be read aloud to hear the sound, the rhythm, and sometimes the rhyme. How do poets create sound and rhythm in their poems? Through several literary devices.

    Assonance 

    Assonance is the repetition of the same vowel sound in words near each other.

    Consonance 

    Consonance is the repetition of the same consonant sounds in words near each other

    Alliteration

    Alliteration is the repetition of the same consonant sounds at the beginning of words near each other.

    Onomatopoeia

    Onomatopoeia means a word resembles the meaning sound it represents.

    Rhyme

    Rhyme requires two or more words that repeat the same sounds.. They are often spelled in a similar way, but they don’t have to be spelled in similar ways. Rhyme can occur at the end of a line, called end rhyme, or it can occur in the middle of the line, called internal rhyme.

    Rhythm

    Rhythm, of course, is the beat–the stressed syllables in a poem. Poets have a variety of possibilities for building that rhythm and ending lines.

    Meter

    Meter is the countable beat that a poet or reader can count. The rhythm will have equal intervals. Count the beat in William Blake’s poem “The Lamb.”

    The Lamb
    Author: William Blake
    ©1789

    Little Lamb, who made thee?
    Dost thou know who made thee?
    Gave thee life & bid thee feed
    By the stream & o’er the mead;
    Gave thee clothing of delight,
    Softest clothing, wooly, bright;
    Gave thee such a tender voice,
    Making all the vales rejoice?
    Little Lamb, who made thee?
    Dost thou know who made thee?

    Little Lamb, I’ll tell thee,
    Little Lamb, I’ll tell thee:
    He is callèd by thy name,
    For he calls himself a Lamb.
    He is meek, & he is mild;
    He became a little child.
    I a child, & thou a lamb,
    We are callèd by his name.
    Little Lamb, God bless thee!
    Little Lamb, God bless thee!

    Also, look for alliteration, assonance, consonance, and end-rhyme.

    Caesuras

    Caesuras are a break, pause, or interruption in the line.

    End-Stopped Line

    An end-stopped line occurs like natural speech; it ends at the end of a line.

    Enjambment 

    Enjambment, the opposite of the end-stopped line, does not pause at the end of a line. It continues on without a pause into the next line. For example, poets may break between the subject and a verb, an article and a noun, or between a helping verb and an action verb. In the poem “Endymion,” John Keats uses enjambment. Read this excerpt–the first five lines:

    Endymion
    Author: John Keats
    ©1817

    A thing of beauty is a joy forever:
    Its loveliness increases; it will never
    Pass into nothingness; but still will keep
    A bower quiet for us, and a sleep
    Full of sweet dreams, and health, and quiet breathing.

     

     

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    • Lesson 13: Sound and Rhythm in Poetry. Authored by: Linda Frances Lein, M.F.A. License: CC BY: Attribution
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    4.23: Lesson 13: Sound and Rhythm in Poetry is shared under a not declared license and was authored, remixed, and/or curated by LibreTexts.

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