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1.2: Types of Contrapuntal Motion

  • Page ID
    62023
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    There are four types of contrapuntal motion between two musical lines. Differentiating these four types of motion is essential to generating good voice-leading, both strict and free.

    In parallel motion, two voices move in the same direction by the same generic interval. For example, the following two voices both move up by a step. Note also that both dyads form the same generic interval (sixth). This will always be true when two voices move in parallel motion.

    clipboard_ec35fc186251bd4b0eed8e14bc4da3064.png

    In similar motion, also called direct motion, two voices move in the same direction, but by different intervals. For example, the following two voices both move down, but the upper voice moves by step while the lower voice moves by leap. Note also that the two dyads are different generic intervals. This will always be the case with similar or direct motion.

    clipboard_e4b62d57b9a38bd617a443ddbe3b73272.png

    In contrary motion, two voices move in opposite directions—one up, the other down.

    clipboard_e413a7247880545224b7e09c29862256f.png

    In oblique motion, one voice is stationary, while the other voice moves (in either direction). The stationary tone may or may not be rearticulated.

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    This page titled 1.2: Types of Contrapuntal Motion is shared under a CC BY-SA license and was authored, remixed, and/or curated by Robin Wharton and Kris Shaffer eds. (Hybrid Pedagogy Publishing) via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.

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