A: Answers to Practice Exercises
- Page ID
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A Answers to Practice Exercises
Chapter 1 Basic Concepts
1.6 Practice Exercises
1.6.1.
Answer.
1.6.2.
Answer.
1.6.3.
Answer.
Chapter 2 Major Scales and Key Signatures
2.4 Practice Exercises
2.4.1.
Answer.
2.4.2.
Answer.
Chapter 3 Minor Scales and Key Signatures
3.4 Practice Exercises
3.4.1.
Answer.
3.4.4.
Answer.
Chapter 4 Basics of Rhythm
4.7 Practice Exercises
4.7.1.
Answer.
4.7.2.
Answer.
4.7.3.
Answer.
4.7.4.
Answer.
4.7.5.
Answer.
Chapter 5 Intervals
5.6 Practice Exercises
5.6.1.
Answer.
5.6.2.
Answer.
5.6.3.
Answer.
5.6.4.
Answer.
Chapter 6 Triads
6.7 Practice Exercises
6.7.1.
Answer.
6.7.2.
Answer.
6.7.3.
Answer.
6.7.4.
Answer.
6.7.5.
Answer.
Chapter 7 Roman Numerals and Cadences
7.5 Practice Exercises
7.5.1.
Answer.
7.5.2.
Answer.
7.5.3.
Answer.
Chapter 8 Seventh Chords
8.4 Practice Exercises
8.4.1.
Answer.
8.4.2.
Answer.
8.4.3.
Answer.
Chapter 9 Harmonic Progression and Harmonic Function
9.9 Practice Exercises
9.9.1.
Answer.
9.9.2.
Answer.
9.9.3.
Answer.
9.9.4.
Answer.
9.9.5.
Answer.
9.9.6.
Answer.
9.9.7.
Answer.
Chapter 10 Non-Chord Tones
10.12 Practice Exercises
10.12.1.
Answer.
10.12.2.
Answer.
Chapter 12 Form in Popular Music
12.6 Practice Exercises
12.6.1.
Answer.
Chapter 13 Phrases in Combination
13.9 Practice Exercises
13.9.1. Mozart, “Ein Mädchen oder Weibchen,”The Magic Flute.
Answer.
13.9.2. Mozart, Piano Sonata K. 333, I.
Answer.
13.9.3. Edmond Dédé, Chicago, Grande Valse à l'Américaine.
Answer.
Chapter 16 Figured Bass
16.6 Practice Exercises
16.6.1.
Answer.
16.6.2.
Answer.
16.6.3.
Answer.
16.6.4.
Answer.
16.6.5.
Answer.
Chapter 17 Secondary Dominant Chords
17.7 Practice Exercises
17.7.1.
Answer.
17.7.2.
Answer.
17.7.3.
Answer.
17.7.4.
Answer.
17.7.5.
Answer.
Chapter 18 Secondary Diminished Chords
18.5 Practice Exercises
18.5.1.
Answer.
18.5.2.
Answer.
18.5.3.
Answer.
Chapter 19 Mode Mixture
19.6 Practice Exercises
19.6.1.
Answer.
19.6.2.
Answer.
19.6.3.
Answer.
Chapter 20 The Neapolitan Chord
20.3 Practice Exercises
20.3.1.
Answer.
20.3.2.
Answer.
Chapter 21 Augmented Sixth Chords
21.9 Practice Exercises
21.9.1.
Answer.
21.9.2.
Answer.
Chapter 22 Modulation
22.8 Practice Exercises
22.8.1.
Answer.
22.8.2.
Answer.
22.8.3.
Answer.
22.8.4.
Answer.
22.8.5.
Answer.
22.8.6.
Answer.
22.8.7.
Answer.
22.8.8.
Answer.
Chapter 23 Enharmonic Modulation
23.4 Practice Exercises
23.4.1.
Answer.
23.4.2.
Answer.
23.4.3.
Answer.
23.4.4.
Answer.
23.4.5.
Answer.
Chapter 24 Binary and Ternary Forms
24.9 Practice Exercises
24.9.1.
Answer.
24.9.2.
Answer.
24.9.3.
Answer.
24.9.4.
Answer.
24.9.5.
Answer.
24.9.6.
Answer.
Chapter 25 Sonata and Rondo Forms
25.6 Practice Exercises
25.6.1.
Answer.
25.6.2.
Answer.
Chapter 26 Voice Leading Triads
26.13 Practice Exercises
26.13.1.
Answer.
26.13.2.
Answer.
26.13.3.
Answer.
26.13.4.
Answer.
26.13.5.
Answer.
26.13.6.
Answer.
26.13.7.
Answer.
26.13.8.
Answer.
26.13.9.
Answer.
Chapter 27 Voice Leading Seventh Chords
27.6 Practice Exercises
27.6.1.
Answer.
27.6.2.
Answer.
27.6.3.
Answer.
Chapter 28 Voice Leading With Non-Chord Tones
28.4 Practice Exercises
28.4.1.
Answer.
28.4.2.
Answer.
28.4.3.
Answer.
Chapter 29 Voice Leading Chromatic Harmonies
29.5 Practice Exercises
29.5.1.
Answer.
29.5.2.
Answer.
29.5.3.
Answer.
29.5.4.
Answer.
29.5.5.
Answer.
Chapter 30 Introduction to Counterpoint
30.9 Practice Exercises
First and Second Species Exercises
30.9.1.
Answer.
30.9.2.
Answer.
Species Counterpoint: Day Two
30.9.3.
Answer.
30.9.4.
Answer.
Invention Expositions
30.9.5.
Answer.
Fugue Analysis
30.9.6.
Answer.
Chapter 31 Introduction to Jazz Theory
31.12 Practice Exercises
31.12.1.
Answer.
31.12.2.
Answer.
31.12.3.
Answer.
31.12.4.
Answer.
31.12.5.
Answer.
31.12.6.
Answer.
Chapter 32 Impressionism and Extended Tonality
32.5 Practice Exercises
32.5.1.
Answer.
32.5.2.
Answer.
32.5.3.
Answer.
32.5.4.
Answer.
Chapter 33 Set Theory
33.9 Practice Exercises
33.9.1.
Answer.
33.9.2.
Answer.
33.9.3.
Answer.
33.9.4.
Answer.
33.9.5.
Answer.
Chapter 34 Serialism
34.7 Practice Exercises
34.7.1.
Answer.
34.7.2.
Answer.
34.7.3.
Answer.
34.7.4.
Answer.
34.7.5.
Answer.