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34.6: Non-Twelve-Tone Serialism

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    Serialism also includes music that is not twelve-tone but does use a series of notes that maintains its order and employs inversion, retrograde, and retrograde inversion of the series. An example is found in Stravinsky’s Septet from 1953. 1 

    Figure \(\PageIndex{1}\): Stravinsky, Septet

    12-tone-stravinsky-w-reg-disp.svg

    Figure \(\PageIndex{2}\): Series from Stravinsky's Septet

    Here is the series with pitch-class integers (abbreviated “pc” for pitch class), and without registral displacement. Arrows connect repeated notes.

    12-tone-stravinsky-wo-reg-disp.svg

    Figure \(\PageIndex{3}\): Series from Stravinsky's Septet showing repeated pitches

    We notice that B (pitch integer 11), A (9), G (7), F♯ (6), and G♯ (8) are repeated in the series, with A, G, and G♯ occurring three times each. Below is the normal form of the 8 pitch classes in the 16-note series.

    12-tone-stravinsky-normal-form.svg

    Figure \(\PageIndex{4}\): Normal form of the 8 pitches in the series from Stravinsky's Septet

    Such a series could imply E or A as a tonal center. Note that Stravinsky’s Septet is not strictly serial but contains serial elements. Such an example shows us that serialism can be employed in ways other than the strict, original twelve-tone version.


    This page titled 34.6: Non-Twelve-Tone Serialism is shared under a GNU Free Documentation License 1.3 license and was authored, remixed, and/or curated by Robert Hutchinson via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.