Skip to main content
Humanities LibreTexts

16.3: The Cadential Six-Four Chord

  • Page ID
    117478
  • \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \) \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)\(\newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\) \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\) \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\) \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\) \( \newcommand{\Span}{\mathrm{span}}\) \(\newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\) \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\) \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\) \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\) \( \newcommand{\Span}{\mathrm{span}}\)\(\newcommand{\AA}{\unicode[.8,0]{x212B}}\)

    16.3 The Cadential Six-Four Chord

    A common term in music theory—the “cadential six-four” (or cadential 46)—is used to refer to the II46 that regularly proceeds the VV chord in cadences.

    figured-bass-cadential-64-k331-i.svg

    /
    Figure \(\PageIndex{1}\): Mozart, Piano Sonata K. 331, I

    figured-bass-cadential-64-star-spangled.svg

    /
    Figure \(\PageIndex{2}\): Francis Scott Key and John Stafford Smith, “The Star-Spangled Banner”

    It is worth remembering that the cadential 46 (or II46) has dominant function, just like the VV chord that usually follows it. Previously, we have called this chord “I5thI/5th.”

    We will use the term “cadential six-four” throughout the rest of this text, now that figured bass has been introduced.


    This page titled 16.3: The Cadential Six-Four Chord is shared under a GNU Free Documentation License 1.3 license and was authored, remixed, and/or curated by Robert Hutchinson via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.