13.7: Greatness and Genre
- Page ID
- 92202
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The preceding discussion about the Pulitzer Prize for Music has essentially been a discussion about “greatness” and genre. For most of the twentieth century, the Pulitzer committee restricted their concept of “greatness” to classical music. In the late twentieth century they expanded it to include jazz, and in the twenty-first century that have expanded still further to include hip-hop. What will come next? We can only wait and see. However, it is clear that the committee has historically perceived some genres as superior to others, and continues to see “greatness” only in specific realms.
Some of the best performing artists, however, clearly do not place these same limitations on music. In this section, we will explore the work of individual artists and performing ensembles that have excelled in the realm of classical music, but have put as much (or more) energy into other genres. All of these artists would disagree that any one musical genre is superior to another. Instead, they hear good music everywhere and are inspired by a variety of styles and approaches.