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- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Resonances_-_Engaging_Music_in_its_Cultural_Context_(Morgan-Ellis_Ed.)/02%3A_Music_for_Storytelling/06%3A_Stories_without_Words/6.06%3A_Catherine_Likhuta_-_LesionsThe absence of a pause between the last two movements has an extra-musical meaning: though denial and acceptance are antithetical states of mind, many patients find themselves stuck between these two ...The absence of a pause between the last two movements has an extra-musical meaning: though denial and acceptance are antithetical states of mind, many patients find themselves stuck between these two for a long time, sometimes for the rest of their lives. When the motif from the opening of the piece returns, marking the beginning of the “Acceptance” section, it has been transformed: It is now loud, strong, and insistent.
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Resonances_-_Engaging_Music_in_its_Cultural_Context_(Morgan-Ellis_Ed.)/02%3A_Music_for_Storytelling/05%3A_SongIt is also compelling, for we generally get a great deal of pleasure out of using our imaginations to visualize the characters and events of a story. In this chapter, however, we will focus on songs—a...It is also compelling, for we generally get a great deal of pleasure out of using our imaginations to visualize the characters and events of a story. In this chapter, however, we will focus on songs—and collections of songs—that outline clear narratives, and we will examine ways in which the music helps to communicate the story.
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Resonances_-_Engaging_Music_in_its_Cultural_Context_(Morgan-Ellis_Ed.)/06%3A_Evaluating_Music/13%3A_What_is_Good_Music/13.11%3A_Resources_for_Further_LearningHasse, John Edward. Beyond Category: The Life and Genius of Duke Ellington. Andrew Granade and David Thurmaier, Hearing the Pulitzers podcast: http:// hearingthepulitzers.podbean.com/ Caroline Shaw: h...Hasse, John Edward. Beyond Category: The Life and Genius of Duke Ellington. Andrew Granade and David Thurmaier, Hearing the Pulitzers podcast: http:// hearingthepulitzers.podbean.com/ Caroline Shaw: https://carolineshaw.com/ Jazz at Lincoln Center: https://www.jazz.org/ Pulitzer Prizes for Music: https://www.pulitzer.org/prize-winne...y-category/225 Roomful of Teeth: https://www.roomfulofteeth.org/ Silkroad Ensemble: https://www.silkroad.org/ Wynton Marsalis: https://wyntonmarsalis.org/
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Resonances_-_Engaging_Music_in_its_Cultural_Context_(Morgan-Ellis_Ed.)/04%3A_Music_for_Political_Expression/09%3A_National_Identity/9.01%3A_IntroductionIn this chapter we will be considering the power of music to define and identify nations. The idea that music can express something important about a community has a long history. The ancient Greeks, ...In this chapter we will be considering the power of music to define and identify nations. The idea that music can express something important about a community has a long history. The ancient Greeks, for example, believed that the unique musical styles of each regional tribe represented the characteristics of that tribe. Moreover, they believed music to be so powerful that anyone who heard music from a particular tribe would in turn exhibit the characteristics of its members.
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Resonances_-_Engaging_Music_in_its_Cultural_Context_(Morgan-Ellis_Ed.)/03%3A_Music_for_Entertainment/08%3A_Listening_at_Home_and_at_Court/8.09%3A_Resources_for_Further_Learning
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Resonances_-_Engaging_Music_in_its_Cultural_Context_(Morgan-Ellis_Ed.)/02%3A_Music_for_Storytelling/04%3A_Sung_and_Danced_Drama/4.03%3A_Danced_Drama
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Resonances_-_Engaging_Music_in_its_Cultural_Context_(Morgan-Ellis_Ed.)/05%3A_Functional_Music/12%3A_Music_for_Moving/12.08%3A_Resources_for_Further_LearningUniversity of Illinois Press, 2010. Hoedowns, Reels, and Frolics: Roots and Branches of Southern Appalachian Dance. University of Illinois Press, 2015. Steppin’ on the Blues: The Visible Rhythms of Af...University of Illinois Press, 2010. Hoedowns, Reels, and Frolics: Roots and Branches of Southern Appalachian Dance. University of Illinois Press, 2015. Steppin’ on the Blues: The Visible Rhythms of African American Dance. University of Illinois Press, 1996. Bach, Pablo Casals, and the Search for a Baroque Masterpiece. Music in the Seventeenth and Eighteenth Centuries: The Oxford History of Western Music. Music as Social Life: The Politics of Participation. University of Chicago Press, 2008.
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Resonances_-_Engaging_Music_in_its_Cultural_Context_(Morgan-Ellis_Ed.)/02%3A_Music_for_Storytelling/05%3A_Song/5.04%3A_Epic_RecitationHere, we will consider two examples: an epic of ancient Greece, The Iliad, and an epic of the Mali Empire, The Sunjata Story. However, we cannot directly compare the recitation practices associated wi...Here, we will consider two examples: an epic of ancient Greece, The Iliad, and an epic of the Mali Empire, The Sunjata Story. However, we cannot directly compare the recitation practices associated with these two texts for a simple reason: While the practice of sung epic recitation is alive and well in West Africa, it has not been practiced in Greece for two millenia, and we therefore can only guess at the details.
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Resonances_-_Engaging_Music_in_its_Cultural_Context_(Morgan-Ellis_Ed.)/04%3A_Music_for_Political_Expression/10%3A_Support_and_Protest/10.08%3A_Resources_for_Further_LearningDon’t Stop Thinking About the Music: The Politics of Songs and Musicians in Presidential Campaigns. Music in the Early Twentieth Century: The Oxford History of Western Music. Yurchenco, Henrietta. “Tr...Don’t Stop Thinking About the Music: The Politics of Songs and Musicians in Presidential Campaigns. Music in the Early Twentieth Century: The Oxford History of Western Music. Yurchenco, Henrietta. “Trouble in the Mines: A History in Song and Story by Women of Appalachia.” American Music, Vol. Dana Gorzelany-Mostak et al., “Making Trax in 2016 and Beyond,” Bulletin of the Society for American Music, Volume XLIV, No.
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Resonances_-_Engaging_Music_in_its_Cultural_Context_(Morgan-Ellis_Ed.)/03%3A_Music_for_Entertainment/08%3A_Listening_at_Home_and_at_Court/8.03%3A_Countess_of_Dia_I_Must_Sing
- https://human.libretexts.org/Bookshelves/Music/Ethnomusicology/Resonances_-_Engaging_Music_in_its_Cultural_Context_(Morgan-Ellis_Ed.)/04%3A_Music_for_Political_Expression/09%3A_National_Identity/9.03%3A_United_States_of_America-_The_Star-Spangled_BannerFrom the terror of flight or the gloom of the grave, And the star-spangled banner in triumph doth wave O’er the land of the free and the home of the brave. Because buyers already knew the currently po...From the terror of flight or the gloom of the grave, And the star-spangled banner in triumph doth wave O’er the land of the free and the home of the brave. Because buyers already knew the currently popular tunes, they could immediately sing the new lyrics. (This type of songwriting differs greatly from the approach common today, in which a single person typically creates both the lyrics and the melody—or at least works with a songwriting partner who provides the missing half.
