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40: Untitled Page 27

  • Page ID
    114998
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    • mons, -ntis, m.

      mountain

      cingo, -ere, -xi, -nctum

      to circle, surround, encompass

      purus, -a, -um

      clean, free, clear; undefiled, unstained

      spectabilis, -is, -e

      that may be seen; visible

      undique (adverb)

      from all parts, on all sides

      hîc (adverb of place)

      in this place, here

      concieo, -ciere, -civi, -citum

      to urge, bring or assemble together
      to move violently, shake, stir up, rouse

      thyrsus, -i, m.

      Bacchic staff, thyrsus

      geminus, -a, -um

      born at the same time, twin-born
      paired, double, both, *two

      aper, -pri, m.

      boar

      ferio, -ire

      to knock, strike; to slay, kill

      pecco, -are, -avi, -atum

      to transgress, commit a fault, offend

      fateor, -eri, fassus

      to confess, own, grant

      3.719–28

      saucius ille tamen ‘fer opem, matertera’ dixit

      ‘Autonoe! moveant animos Actaeonis umbrae!’ 720

      illa, quis Actaeon, nescit dextramque precantis

      abstulit, Inoo lacerata est altera raptu.

      non habet infelix quae matri bracchia tendat,

      trunca sed ostendens dereptis vulnera membris

      ‘adspice, mater!’ ait. visis ululavit Agave 725

      collaque iactavit movitque per aera crinem

      avulsumque caput digitis conplexa cruentis

      clamat: ‘io comites, opus hoc victoria nostra est!’

      Study Questions
    • Parse fer (719).
    • Explain the tense and mood of moveant (720). What is its subject?
    • What verb needs to be supplied with quis Actaeon (721)?
    • Parse precantis (721).
    • What noun does the adjective Inoo (722) modify?
    • What noun has to be supplied mentally after altera (722)?
    • What is the accusative object of habet and antecedent of quae (723)?
    • What noun does trunca (724) modify?
    • What construction is dereptis … membris (724)?
    • What kind of ablative is visis?
      Stylistic Appreciation

      Compare Ovid’s techniques in describing the dismemberment of Pentheus with those used in contemporary splatter-movies.

      Discussion Points

      What are the ethics of depicting extreme forms of violence? Is there an aesthetics of the gruesome? Is Ovid’s description of Pentheus’ dismemberment entertaining — or even witty? Or rather grotesque and revolting?


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