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33: Untitled Page 20

  • Page ID
    114989
  • \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \) \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)\(\newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\) \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\) \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\) \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\) \( \newcommand{\Span}{\mathrm{span}}\) \(\newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\) \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\) \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\) \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\) \( \newcommand{\Span}{\mathrm{span}}\)\(\newcommand{\AA}{\unicode[.8,0]{x212B}}\)

    • What is the term for the stylistic device that Ovid uses in 611–12 quod numen in isto corpore sit, dubito; sed corpore numen in isto est! What is its effect here?
    • What is the technical term for, and the rhetorical effect of, the fourfold repetition of hoc in 617–20?
    • How does Ovid generate interest in the catalogue of the members of the crew?
    • Why is flavus … Melanthus (617) funny?
    • What kind of figure is prorae tutela (617)?
    • How does Ovid use style to reinforce the contrast between Acoetes and his crew?
      Discussion Points

      Discuss the psychology/ motivation behind the positions of Acoetes and the rest of crew. Consider the social dynamics that unfold here, with one lone voice taking a principled if seemingly hopeless stance against the rest. Where else in ancient and modern literature do we find this situation?


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