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8.3: The Timocratic Soul

  • Page ID
    94559
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    See 548d-550c. Just as the philosopher-led aristocratic city has its parallel in the reason-led aristocratic soul, the soldier-led timocratic city has its parallel in the timocratic soul, which is ruled by the spirited part. Being “a lover of ruling and of honor,” such a person is fiercely competitive and concerned above all with matters of reputation. He is “gentle to free people and very submissive to rulers.” But he tends to be “harsh to his slaves.” They do not share his noble ideals, and so they need stern guidance. He loves music and poetry, but loves physical training and hunting more. As for money, he despises it in his youth, but comes to “love it more and more” as he grows older; for the rational part, being only a servant in his soul, doesn’t insist, as it would if his soul were aristocratic, that temperance is every bit as important in private life as it is in public life. Socrates ends his account of timocracy in the soul describing how a young man, pulled between the philosophical ideals of his father and the immoderate nagging of his mother and others, can end up surrendering the rulership of his soul to the spirited part. The classic literary study of timocratic souls is Homer’s Iliad. (Consider the opening scene between Achilles and Agamemnon, Hector’s farewell to Andromache, etc.).

    • Have you ever known someone ruled by what Socrates calls the spirited part of the soul, someone who cared more about honor and praise than about either immediate gratification or philosophical pursuits? This would be a person who puts a very high value on reputation and the marks of reputation (high grades, prizes, medals, awards, honorary titles, and the like) and on the sort of competition that earns these things. Such a person would be quick to take offense at insults, but slow to give in to licentiousness in its various forms.

    • What is there to admire in a timocratic soul? What is there to regret?


    This page titled 8.3: The Timocratic Soul is shared under a CC BY license and was authored, remixed, and/or curated by Douglas Drabkin.

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