4.12: Bibliografía
- Page ID
- 92708
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)Anne Bonny. Engraving. 18th century. A General History of the Robberies and Murders of the Most Notorious Pyrates. 1724. Captain Charles Johnson. Dutch translation. 1725. Wikimedia Commons. Wikimedia Foundation.
Corpse Bride. Dir. Tim Burton and Mike Johnson. 2005. DVD. Warner Home Video. 2006.
Cardwell, Richard. “Lord Byron’s Gothic Footprint in Spain: José de Espronceda and the Remaking of Horror.”The Gothic Byron. Cambridge: Cambridge Scholars Publishing, 2009. 129-44.
Caro Baroja, Julio. “Algunos ejemplos famosísimos en la historia de la literatura.”De los arquetipos y leyendas. Madrid: Istmo, 1991. 58-63.
Daguerre, Louis. The Ruins of Holyrood Chapel. c. 1824. Oil on canvass. Walker Art Gallery, Liverpool. Wikimedia Commons.Wikimedia Foundation.
Delaroche, Paul. The Execution of Lady Jane Grey. 1833. Oil on canvas. National Gallery, London. Wikimedia Commons.Wikimedia Foundation.
Espronceda, José de. “Canción del pirata.” 1835. Poesías. Madrid: Imprenta Yenes, 1840. Bayerische StaatsBibliothek digital. Bavarian State Library.
—. El estudiante de Salamanca. 1837-1840. Obras poéticas de don José de Espronceda. Ed. Juan Eugenio Hartzenbusch. Colección de los Mejores Autores Españoles 46. Paris: Baudry, Librería Europea, 1851. Biblioteca Digital Hispánica. Biblioteca Nacional de España.
—. “Libertad. Igualdad. Fraternidad.” El español 76, 15 Jan. 1836: 3. Espronceda: Articles et discours oubliés. Ed. Robert Marrast. Paris: Presses Universitaires de France, 1966.
—. “El reo de muerte.” 1837. Poesías. Madrid: Imprenta Yenes, 1840. Bayerische StaatsBibliothek digital. Bavarian State Library.
—. “El verdugo.” 1835. Poesías. Madrid: Imprenta Yenes, 1840. Bayerische StaatsBibliothek digital. Bavarian State Library.
Esquivel, Antonio María. Retrato de José de Espronceda. 1842-1846. Oil on canvass. Museo del Prado, Madrid. Wikimedia Commons. Wikimedia Foundation.
El estudiante de Salamanca, Episode I. Dir. Antonio Chic. Perf. Sancho Gracia and Charo López. Radio Televisión Española. 3 Apr. 1972. RTVE. Radio Televisión Española.
Goya y Lucientes, Francisco de. El 2 de mayo de 1808 en Madrid. 1814. Oil on canvass. Museo del Prado, Madrid. Wikimedia Commons. Wikimedia Foundation.
—. El 3 de mayo de 1808 en Madrid. 1814. Oil on canvass. Museo del Prado, Madrid. Wikimedia Commons. Wikimedia Foundation.
—. A caza de dientes. 1799. Etching and aquatint. Los caprichos, n. 12. Museo del Prado, Madrid. Wikimedia Commons. Wikimedia Foundation.
—. Quien lo puede pensar! c. 1810-1811. Brush and opaque watercolorwith oak gall ink, India ink (carbon black), and bistre on laid paper. Condenados, presos y torturados por la Inquisición. Álbum C n. 105. Museo del Prado, Madrid. Wikimedia Commons.Wikimedia Foundation.
Helman, Edith. Apéndice II, A caza de dientes. Trasmundo de Goya. 1963. Madrid: Alianza, 1986.
Lewis, Matthew Gregory. The Castle Spectre. 1797. Seven Gothic Dramas. Ed. Jeffrey Cox. Athens, Ohio: Ohio UP, 1992. 197-8.
—. Frontispice. Le moine, traduit de l’anglais [The Monk]. Vol. 2. Paris: Maradan, 1811. Wikimedia Commons.Wikimedia Foundation.
“Ruins of Holyrood Chapel by Louis Daguerre.” National Musuems Liverpool. National Museums Liverpool.
Sebold, Russell P. “Criminal sin delito: El verdugo de Espronceda.”Homenaje al profesor Antonio Vilanova. Coord. Adolfo Sotelo Vázquez. Ed. Marta Cristina Carbonell. Vol. VI. Barcelona: Universidad, 1989. 647-661. Biblioteca Virtual Miguel de Cervantes. Fundación Biblioteca Virtual Miguel de Cervantes.
Whistler, James Abbott McNeill. Detail. Nocturne: Trafalgar Square. c. 1875-1877. Oil on canvass. Freer Gallery of Art, Washington, D.C. Wikimedia Commons. Wikimedia Foundation.