# 8.1: The Initial Reaction

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Initially, most members of the Church hierarchy were overwhelmed and bewildered by the emergence of Protestantism. All of the past heresies had remained limited in scope as compared with the incredible rapidity with which Lutheranism spread. For practical political reasons, the pope and various rulers were either unwilling or unable to use force to crack down on Protestantism at first, as witnessed with Charles V’s failed attempts to curtail Lutheranism’s spread. Lutheranism also spread much more quickly than had earlier heresies, which tended to be limited to certain regions; here, the fact that Luther and his followers readily embraced the printing press to spread their message made a major impact, with word of the new movement spreading across Europe over the course of the 1520s.

In historical hindsight, the shocking aspect of the Catholic Church’s initial reaction to the emergence of Protestantism is that there was no reaction. For decades, popes remained focused on the politics of Central Italy or simply continued beautifying Rome and enjoying a life of luxury; this was the era of the “Renaissance popes,” men from elite families who regarded the papal office as little more than a political position that happened to be at the head of the Church. Likewise, there was no widespread awareness among most Church officials that anything out of the ordinary was taking place with Luther; despite the radicalism of his position, most of the clergy assumed that Lutheranism was a “flash in the pan,” doomed to fade back into obscurity in the end. By the 1540s, however, church officials began to take the threat posed by Protestantism more seriously.

The initial period of Catholic Reformation, from about 1540 – 1550, was a fairly moderate one that aimed to bring Protestants back into the fold. In a sense, the very notion of a permanent break from Rome was difficult for many people, certainly many priests, to conceive of. After about 1550, however, when it became clear that the split was permanent, the Church itself became much more hardline and intolerant. The subsequent reforms were as much about imposing a new internal discipline as they were in making membership appealing to lay Catholics.

The same factors that had made the Church difficult to reform before the Protestant break made it strong as an institution that opposed the new Protestant denominations: habit, ritual, organization, discipline, hierarchy, and wealth all worked to preserve the Church’s power and influence. Likewise, many princes realized that Protestantism often led to political problems in their territories; even though many of the German princes had originally supported Luther in order to protect their own political independence, many others came to realize that the last thing they wanted were independent-minded denominations in their territories, some of which might reject their worldly authority completely (as had the German peasants who rose up in 1524).

Among Catholics at all levels of social hierarchy, Catholic rituals were comforting, and even though rejecting the excesses in Catholic ritual had been part of the appeal of Protestantism to some, to many others it was precisely those familiar rituals that made Catholicism appealing. The Catholic Reformation is often associated with the “baroque” style of art and music which encouraged an emotional connection with Catholic ritual and, potentially, with the experience of faith itself. the Church continued to fund huge building projects and lavish artwork, much of which was aimed to appeal to laypeople, not just serve as pretty decorations for high-ranking churchmen.

Likewise, there was a wave of Protestant conversions that spread very rapidly by the 1530s, but then as the Protestant denominations splintered off and turned on one another, the “purity” of the appeal of Protestantism faded. In other words, when Protestants began fighting each other with the same vigor as their attacks on Rome, they no longer seemed like a clear and simple alternative to Roman corruption.

This page titled 8.1: The Initial Reaction is shared under a CC BY-NC-SA 4.0 license and was authored, remixed, and/or curated by Christopher Brooks via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.