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6.1: Introduction

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    Janet Boyd

    The college where I first started teaching writing called its freshman composition course “Logic and Rhetoric” after two of the three arts of discourse in the classical tradition (the third being grammar).* While the students could easily explain what logic is, they struggled with the definition of rhetoric; most of their responses were more or less a politer version of this succinct definition offered by one brave student: “bullshit.” While I was surprised that he dared say such a word in class, and I am equally surprised that our publishers have so kindly agreed to print it, this offensive word so directly and memorably brings us to the crux of the matter: that choosing how to express your meaning is every bit as important as the message itself, which is really what rhetoric is. Every time you go to write anything (and every time you open your mouth), whether actively conscious of the purpose or not, you are making decisions about which words to use and what tone to establish as you order your thoughts based upon what is appropriate for your intended audience in that context.

    Determined as I was to enlighten the class about the more positive and powerful aspects of rhetoric, we used no textbook in the program that could edify us. This turned out to be a good thing, for, out of necessity, I invented a simple, little exercise1 for them that you will participate in here, now, and dazzle yourself with the rhetorical skills you already possess, skills that are crucial for your development as an academic writer. For purposes of comparison, I have also included responses from other student writers for you to consider—all of whom surprised themselves with their own rhetorical range and ability. First, I will give you five simple facts, nothing but the facts, as I did my students:

    Who: Mark Smith
    What: Murdered
    Where: Parking garage
    When: June 6, 2010; 10:37 p.m.
    How: Multiple stab wounds

    You might read such straightforward facts in a short newspaper article or hear them in a brief news report on the radio; if the person was not famous, the narrative might sound like this: Mark Smith was found stabbed to death at 10:37 p.m. on June 6th, in the local parking garage. Next, imagine that you are the detective called out to investigate the crime scene, which will, of course, demand that you also write and file a report of your findings. (In fact, many people who go into law enforcement are shocked to discover how much writing such a job regularly entails.)

    Take a moment to visualize the five facts, and then pick up a pen or turn to your keyboard and write for five or so minutes as if you were that detective. In writing up the case (whoops, I have given you a clue), you may add or invent as many details as you see fit, but you may not alter the given facts. Go ahead. Get started on writing your report of the murder scene. Then come back and read the next section.


    6.1: Introduction is shared under a CC BY-NC-SA 4.0 license and was authored, remixed, and/or curated by LibreTexts.

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