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"In today’s world …"
Those opening words—so common in student papers—represent the most prevalent misconception about introductions: that they shouldn’t really say anything substantive. The five-paragraph format that most students mastered before coming to college suggests that introductory paragraphs should start very general and gradually narrow down to the thesis. As a result, students frequently write introductions for college papers in which the first two or three (or more) sentences are patently obvious or overly broad. Charitable and well-rested instructors just skim over that text and start reading closely when they arrive at something substantive. Frustrated and overtired instructors emit a dramatic self-pitying sigh, assuming that the whole paper will be as lifeless and gassy as those first few sentences. If you’ve gotten into the habit of beginning opening sentences with the following phrases, firmly resolve to strike them from your repertoire right now:
- In today’s world …
- Throughout human history …
- Since the dawn of time …
- Webster’s Dictionary defines [CONCEPT] as …
For one thing, sentences that begin with the first three stems are often wrong. For example, someone may write, “Since the dawn of time, people have tried to increase crop yields.” In reality, people have not been trying to increase crop yields throughout human history—agriculture is only about 23,000 years old, after all—and certainly not since the dawn of time (whenever that was). For another, sentences that start so broadly, even when factually correct, could not possibly end with anything interesting.
Sometimes we know that more precise and vivid intros and conclusions are ideal but still settle on the vague language that seems familiar, safe, and do-able. Knowing the general form of academic writing (simplified in the five-paragraph theme) helps writers organize their thoughts; however, it leads some student writers to approach papers as mere fill-in-the-blank exercises.
I hope you will instead envision paper-writing as a task of working through an unscripted and nuanced thought process and then sharing your work with readers. When you’re engaged with the writing process, you’ll find yourself deciding which substantive points belong in those introductory and concluding paragraphs rather than simply filling those paragraphs out with fluff. They should be sort of hard to write; they’re the parts of the paper that express your most important ideas in the most precise ways. If you’re struggling with intros and conclusions, it might be because you’re approaching them in exactly the right way. Having a clear, communicative purpose will help you figure out what your reader needs to know to really understand your thinking.
So what should you do? Well, start at the beginning. By that I mean, start explaining what the reader needs to know to comprehend your thesis and its importance. For example, compare the following two paragraphs.
Five-paragraph theme version of a paragraph:
Throughout time, human societies have had religion. Major world religions since the dawn of civilization include Zoroastrianism, Hinduism, Animism, Judaism, Christianity, and Islam. These and all other religions provide a set of moral principles, a leadership structure, and an explanation for unknown questions such as what happens after people die. Since the dawn of religion, it has always been opposed to science because one is based on faith and the other on reason. However, the notion of embodied cognition is a place where physical phenomena connect with religious ones. Paradoxically, religion can emphasize a deep involvement in reality, an embodied cognition that empowers followers to escape from physical constraints and reach a new spirituality. Religion carefully constructs a physical environment to synthesize an individual’s memories, emotions, and physical actions, in a manner that channels the individual’s cognitive state towards spiritual transcendence.
Organically structured version of the same paragraph:
Religion is an endeavor to cultivate freedom from bodily constraints to reach a higher state of being beyond the physical constraints of reality. But how is it possible to employ a system, the human body, to transcend its own limitations? Religion and science have always had an uneasy relationship as empiricism is stretched to explain religious phenomena, but psychology has recently added a new perspective to the discussion. Embodiment describes the interaction between humans and the environment that lays a foundation for cognition and can help explain the mechanisms that underlie religion’s influence on believers. This is a rare moment where science and religion are able to coexist without the familiar controversy. Paradoxically, religion can emphasize a deep involvement in reality, an embodied cognition that empowers followers to escape from physical constraints and reach a new spirituality. Religion carefully constructs a physical environment to synthesize an individual’s memories, emotions, and physical actions, in a manner that channels the individual’s cognitive state towards spiritual transcendence.
In the first version, the first three sentences state well-known facts that do not directly relate to the thesis. The fourth sentence is where the action starts, though that sentence (“Since the dawn of religion, it has always been opposed to science because one is based on faith and the other on reason”) is still overstated: when was this dawn of religion? And was there “science,” as we now understand it, at that time? The reader has to slog through to the fifth sentence before the intro starts to develop some momentum.
Training in the five-paragraph theme format seems to have convinced some student writers that beginning with substantive material will be too abrupt for the reader. But the second example shows that a meatier beginning isn’t jarring; it is actually much more engaging. The first sentence of the organic example is somewhat general, but it specifies the particular aspect of religion (transcending physical experience) that is germane to the thesis. The next six sentences lay out the ideas and concepts that explain the thesis, which is provided in the last two sentences. Overall, every sentence is needed to thoroughly frame the thesis. It is a lively paragraph in itself, and it piques the reader’s interest in the author’s original thinking about religion.
Sometimes a vague introductory paragraph reflects a simple, obvious thesis and a poorly thought-out paper. More often, though, a shallow introduction represents a missed opportunity to convey the writer’s depth of thought from the get-go. Students adhering to the five-paragraph theme format sometime assume that such vagueness is needed to bookend an otherwise pithy paper. As you can see from these examples, that is simply untrue. I’ve seen some student writers begin with a vague, high-school style intro (thinking it obligatory) and then write a wonderfully vivid and engaging introduction as their second paragraph. Other papers I’ve seen have an interesting, original thesis embedded in late body paragraphs that should be articulated up front and used to shape the whole body. If you must write a vague “since the dawn of time” intro to get the writing process going, then go ahead. Just budget the time to rewrite the intro around your well developed, arguable thesis and ensure that the body paragraphs are organized explicitly by your analytical thread.
Here are two more examples of excellent introductory paragraphs written by undergraduate students in different fields. Note how, in both cases, (1) the first sentence has real substance, (2) every sentence is indispensable to setting up the thesis, and (3) the thesis is complex and somewhat surprising. Both of these introductory paragraphs set an ambitious agenda for the paper. As a reader, it’s pretty easy to imagine how the body paragraphs that follow will progress through the nuanced analysis needed to carry out the thesis.
From Davis O’Connell’s “Abelard”:
He rebelled against his teacher, formed his own rival school, engaged in a passionate affair with a teenager, was castrated, and became a monk. All in a day’s work. Perhaps it’s no surprise that Peter Abelard gained the title of “heretic” along the way. A 12th-century philosopher and theologian, Abelard tended to alienate nearly everyone he met with his extremely arrogant and egotistical personality. This very flaw is what led him to start preaching to students that he had stolen from his former master, which further deteriorated his reputation. Yet despite all of the senseless things that he did, his teachings did not differ much from Christian doctrine. Although the church claimed to have branded Abelard a heretic purely because of his religious views, the other underlying reasons for these accusations involve his conceited personality, his relationship with the 14-year-old Heloise, and the political forces of the 12th century.
From Logan Skelly’s “Staphylococcus aureus"3:
Bacterial resistance to antibiotics is causing a crisis in modern healthcare. The evolution of multi-drug resistant Staphylococcus aureus is of particular concern because of the morbidity and mortality it causes, the limited treatment options it poses, and the difficulty in implementing containment measures for its control. In order to appreciate the virulence of S. aureus and to help alleviate the problems its resistance is causing, it is important to study the evolution of antibiotic resistance in this pathogen, the mechanisms of its resistance, and the factors that may limit or counteract its evolution. It is especially important to examine how human actions are causing evolutionary changes in this bacterial species. This review will examine the historical sequence of causation that has led to antibiotic resistance in this microorganism and why natural selection favors the resistant trait. It is the goal of this review to illuminate the scope of the problem produced by antibiotic resistance in S. aureus and to illustrate the need for judicious antibiotic usage to prevent this pathogen from evolving further pathogenicity and virulence.
If vague introductory paragraphs are bad, why were you taught them? In essence, you were taught the form so that you could later use it to deepen your thinking. By producing the five-paragraph theme over and over, it has probably become second nature for you to find a clear thesis and shape the intro paragraph around it, tasks you absolutely must accomplish in academic writing. However, you’ve probably been taught to proceed from “general” to “specific” in your intro and encouraged to think of “general” as “vague”. At the college level, think of “general” as context: begin by explaining the conceptual, historical, or factual context that the reader needs in order to grasp the significance of the argument to come. It’s not so much a structure of general-to-specific; instead, it’s context-to-argument.
1 This example is slightly adapted from a student-authored essay: Victor Seet, “Embodiment in Religion,” Discoveries, 11 (2012). Discoveries is an annual publication of the Knight Institute for Writing in the Disciplines of Cornell University which publishes excellent papers written by Cornell undergraduates.
2Davis O’Connell, “Abelard: A Heretic of a Different Nature,” Discoveries 10 (2011): 36-41.
3Logan Skelly, “Staphylococcus aureus: The Evolution of a Persistent Pathogen,” Discoveries 10 (2011): 89-102.
Browse online articles on The New York Times, The Washington Post, Medium.com, The Atlantic, Time, or other reputable websites, journals, or newspapers. Find an article where the introduction really engages you. Read the whole article, post a link to it, and reflect in your discussion post on why you found it so compelling. Did it meet the following three criteria described in this section?
If it did meet those criteria, how was the thesis surprising?
- The first sentence has real substance,
- Every sentence is indispensable to setting up the thesis, and
- The thesis is complex and somewhat surprising.
Choose one of the essays from Section 12.1: Suggested Short Readings. Read the whole essay and reflect in your discussion post on the introduction. Did it meet the following three criteria described in this section? If so, how was the thesis surprising?
Do you have any ideas for how it could be improved?
- The first sentence has real substance,
- every sentence is indispensable to setting up the thesis, and
- the thesis is complex and somewhat surprising.
Choose an essay you have written in this or another class and rewrite the introduction to improve it according to the principles in this section. Write an additional paragraph of reflection on how the new introduction would make a stronger impression on readers and better serve your purpose in the essay.
Adapted by Anna Mills from Writing in College: From Competence to Excellence by Amy Guptill, published by Open SUNY Textbooks, licensed CC BY NC SA 4.0.