2: New Spain (Spanish colonies)
- Page ID
- 179556
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)New Spain consisted of Mexico, much of Central America, parts of the West Indies, from California to Florida, and the Philippines.
c. 1521–1821 C.E.
- 2.2: 16th century
- 2.2.1: Hispaniola’s early colonial art, an introduction
- 2.2.2: The Codex Huexotzinco
- 2.2.3: Classical Architecture in Viceregal Mexico
- 2.2.4: Puebla de los Ángeles and the classical architectural tradition
- 2.2.5: La Casa del Deán in Puebla
- 2.2.6: Missions and their art
- 2.2.6.1: Mission churches as theaters of conversion in New Spain
- 2.2.6.2: St. Michael the Archangel in Huejotzingo
- 2.2.6.3: The Convento of San Nicolás de Tolentino, Actopan, Hidalgo
- 2.2.6.4: A new Jerusalem in the Americas—the convento of Acolman
- 2.2.6.5: Murals from New Spain, San Agustín de Acolman
- 2.2.6.6: Atrial Cross at Acolman
- 2.2.7: Frontispiece of the Codex Mendoza
- 2.2.8: The Florentine Codex
- 2.2.8.1: Bernardino de Sahagún and collaborators, Florentine Codex
- 2.2.8.2: Remembering the Toxcatl Massacre- The Beginning of the End of Aztec Supremac
- 2.2.9: Featherworks
- 2.2.9.1: The Mass of St. Gregory
- 2.2.9.2: A Renaissance miniature in wood and feathers
- 2.2.9.3: A shimmering saint, St. John in featherwork
- 2.2.10: Map of Cholula, from the relaciones geográficas
- 2.2.11: Engravings in Diego de Valadés’s Rhetorica Christiana
- 2.2.12: Saintly violence? Santiago on Horseback
- 2.2.13: The manuscripts of Luis de Carvajal
- 2.2.14: What does the music of heaven sound like? St. Cecilia in New Spain
- 2.3: 17th and 18th centuries
- 2.3.1: Baltasar de Echave Ibía, The Hermits
- 2.3.2: Mission Church, San Esteban del Rey, Acoma Pueblo
- 2.3.3: Sebastián López de Arteaga, Marriage of the Virgin
- 2.3.4: Miguel González, The Virgin of Guadalupe
- 2.3.5: Christ Crucified, a Hispano-Philippine ivory
- 2.3.6: Cristóbal de Villalpando, View of the Plaza Mayor of Mexico City
- 2.3.7: Biombos (folding screens)
- 2.3.7.1: Screen with the Siege of Belgrade and Hunting Scene (or Brooklyn Biombo)
- 2.3.7.2: Biombo with the Conquest of Mexico and View of Mexico City
- 2.3.8: Miguel Cabrera, Virgin of the Apocalypse
- 2.3.8.1: Miguel Cabrera, Virgin of the Apocalypse
- 2.3.8.2: Miguel Cabrera, Portrait of Sor Juana Inés de la Cruz
- 2.3.9: Casta Paintings
- 2.3.9.1: Spaniard and Indian Produce a Mestizo, attributed to Juan Rodriguez Juárez
- 2.3.9.2: Francisco Clapera, set of sixteen casta paintings
- 2.3.10: Juan Patricio Morlete Ruiz, Christ Consoled by Angels
- 2.3.11: The Virgin of the Macana and the Pueblo Revolution of 1680
- 2.3.12: Mission San Antonio de Valero and the Alamo
- 2.3.13: Nativity group, from Guatemala
- 2.3.14: Jerónimo de Balbás, Altar of the Kings (Altar de los Reyes)
- 2.3.15: Church of Santa Prisca and San Sebastian, Taxco, Mexico
- 2.3.16: Crowned nun portraits
- 2.3.16.1: Crowned nun portraits, an introduction
- 2.3.16.2: Crowned Nun Portrait of Sor María de Guadalupe