2: American art to WWII
- Page ID
- 188113
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- 2.4: 291
- 2.4.1: 291—Little Galleries of the Photo Secession
- 2.4.2: Alfred Stieglitz, The Steerage
- 2.4.3: Florine Stettheimer, Portrait of Alfred Stieglitz
- 2.4.4: Marsden Hartley, Portrait of a German Officer
- 2.4.5: Joseph Stella, The Voice of the City of New York Interpreted
- 2.4.6: Charles Demuth, I Saw the Figure 5 in Gold
- 2.4.7: Georgia O'Keeffe
- 2.4.7.1: Radiator Building—Night, New York
- 2.4.7.2: The Lawrence Tree
- 2.7: The American south and southwest
- 2.7.1: Robert Henri, Tom Po Qui (Water of Antelope Lake/Indian Girl/Ramoncita)
- 2.7.2: Walter Ufer, Hunger
- 2.7.3: The lure of the American Southwest- E. Martin Hennings, Rabbit Hunt
- 2.7.4: Velino Shije Herrera (Ma Pe Wi), Design, Tree and Birds
- 2.7.5: Nampeyo (Hopi-Tewa), polychrome jar
- 2.7.6: Puebloan- Maria Martinez, Black-on-black ceramic vessel
- 2.7.7: Julian Martinez, Buffalo Dancers
- 2.7.8: 10.7.8-Awa Tsireh’s Pottery Makers
- 2.9: Social Realism
- 2.9.1: Todros Geller, Strange Worlds
- 2.9.2: Hale Woodruff, The Banjo Player
- 2.9.3: Grant Wood
- 2.9.3.1: American Gothic
- 2.9.3.2: Parson Weems' Fable
- 2.9.4: Alexandre Hogue, Crucified Land
- 2.9.5: Vertis Hayes, The Lynchers
- 2.9.6: Vertis Hayes, Juke Joint
- 2.9.7: Reginald Marsh, Wooden Horses
- 2.9.8: Ben Shahn
- 2.9.8.1: The Passion of Sacco and Vanzetti
- 2.9.8.2: Miners' Wives
- 2.9.8.3: Contemporary American Sculpture
- 2.9.9: Romare Bearden, Factory Workers
- 2.9.10: Edward Hopper, Nighthawks
- 2.9.11: Horace Pippin
- 2.9.11.1: Horace Pippin, Mr. Prejudice
- 2.9.11.2: Josiah McElheny on Horace Pippin
- 2.9.12: Norman Rockwell, Rosie the Riveter
- 2.9.13: Eldzier Cortor, Southern Landscape