1: Latin American Modernism
- Page ID
- 188112
\( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)
\( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)
\( \newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\)
( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\)
\( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)
\( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\)
\( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)
\( \newcommand{\Span}{\mathrm{span}}\)
\( \newcommand{\id}{\mathrm{id}}\)
\( \newcommand{\Span}{\mathrm{span}}\)
\( \newcommand{\kernel}{\mathrm{null}\,}\)
\( \newcommand{\range}{\mathrm{range}\,}\)
\( \newcommand{\RealPart}{\mathrm{Re}}\)
\( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)
\( \newcommand{\Argument}{\mathrm{Arg}}\)
\( \newcommand{\norm}[1]{\| #1 \|}\)
\( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)
\( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\AA}{\unicode[.8,0]{x212B}}\)
\( \newcommand{\vectorA}[1]{\vec{#1}} % arrow\)
\( \newcommand{\vectorAt}[1]{\vec{\text{#1}}} % arrow\)
\( \newcommand{\vectorB}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)
\( \newcommand{\vectorC}[1]{\textbf{#1}} \)
\( \newcommand{\vectorD}[1]{\overrightarrow{#1}} \)
\( \newcommand{\vectorDt}[1]{\overrightarrow{\text{#1}}} \)
\( \newcommand{\vectE}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash{\mathbf {#1}}}} \)
\( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)
\( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)
- 1.3: Mexican Muralism
- 1.3.1: Mexican Muralism- Los Tres Grandes David Alfaro Siqueiros, Diego Rivera, and José Clemente Orozco
- 1.3.2: Diego Rivera
- 1.3.2.1: Diego Rivera, first and second floor murals of the Secretaría de Educación Pública
- 1.3.2.2: Diego Rivera, Stairwell and Third Floor “Court of Labor” at the SEP
- 1.3.2.3: The History of Mexico- Diego Rivera’s Murals at the National Palace
- 1.3.2.4: Sugar Cane
- 1.3.2.5: Man at the Crossroads
- 1.3.2.6: Man Controller of the Universe
- 1.3.2.7: Detroit Industry Murals
- 1.3.2.8: Calla Lilly Vendor (Vendedora de Alcatraces)
- 1.3.2.9: Dream of a Sunday Afternoon in Alameda Central Park
- 1.3.3: José Clemente Orozco, Dive Bomber and Tank
- 1.4: Surrealism
- 1.4.1: Frida Kahlo
- 1.4.1.1: Frida Kahlo, introduction
- 1.4.1.2: Frieda and Diego Rivera
- 1.4.1.3: The Two Fridas (Las dos Fridas)
- 1.4.2: Rosa Rolanda, Self-Portrait
- 1.4.3: Wifredo Lam
- 1.4.3.1: The Jungle
- 1.4.3.2: The Eternal Presence
- 1.4.4: Hector Hyppolite, Ogou Feray also known as Ogoun Ferraille by DR. TAMARA DÍAZ CALCAÑO
- 1.5: Constructivism
- 1.5.1: Geometric Abstraction in South America, an introduction
- 1.5.2: Joaquín Torres-García
- 1.5.2.1: Composition
- 1.5.2.2: Inverted America
- 1.5.3: Lygia Clark, Bicho
- 1.5.4: Breaking the Frame – the Concrete Art Movement
- 1.5.5: Painting in an Industrial Age – the Concrete Art Movement
- 1.5.6: The Challenge of a Straight Line – the Concrete Art Movement
- 1.5.7: Rhod Rothfuss, Yellow Quadrangle