1.6.7: Benin ivory mask (Edo peoples)
- Page ID
- 161214
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by HENI TALKS
Cultural Historian Dr. Gus Casely-Hayford tells the remarkable story of a sixteenth century ivory mask from Benin, West Africa.
Contrary to its serene visage, Casely-Hayford explores how this finely carved artefact is a ‘physical essay in power’: a testament to subterfuge, savvy trading networks and bloodshed. Casely-Hayford also reflects on the mask’s changing status in the British Museum over the course of the past century, and how such objects – once regarded as ‘primitive’ – had a profound impact on the Western twentieth century avant-garde. With the rise of post-Colonial theory, such works in Western collections are now securing the status that their cultural significance merits.