28.6: The Empire Style
Art under Napoleon
The Empire style refers to art created under the rule of Napoleon that was intended to idealize the French Empire.
Discuss the emphasis Napoleon placed on nationalism when supporting the arts
Key Points
- The Empire style developed and elaborated the Directoire style of the immediately preceding period, which aimed at a simpler evocation of the virtues of the Ancient Roman Republic.
- The style was predominantly propagandistic, intended to idealize Napoleon’s French state. Inspiration for architectural designs drew heavily on symbols and ornaments borrowed from the ancient Greek and Roman empires. Buildings typically had simple timber frames and box-like constructions, veneered in expensive mahogany that was imported from the newly-acquired colonies.
- In Napoleonic painting, themes often revolved around the military and glorifying Napoleon’s campaigns. Battle paintings were increasingly produced for large public buildings and grew larger than ever before.
Key Terms
- Neoclassicism : Neoclassicism is the name given to Western movements in the decorative and visual arts, literature, theater, music, and architecture that draw inspiration from the “classical” art and culture of Ancient Greece or Ancient Rome.
The Empire style, considered by many to be the second phase of Neoclassicism, is an early 19th century design movement in architecture, furniture, and the decorative arts which lasted until about 1830. The style originated during the rule of Napoleon I in the First French Empire and was intended to idealize Napoleon’s French state.
The Empire style developed and elaborated the Directoire style of the immediately preceding period, which aimed at a simpler but still elegant evocation of the virtues of the Ancient Roman Republic. Empire style architecture was based on aspects of the Roman Empire and its many archaeological treasures that had been rediscovered starting in the 18th century. The style was considered to have “liberated” and “enlightened” architecture just as Napoleon “liberated” the people of Europe with his Napoleonic Code. Inspiration for architectural designs drew heavily on symbols and ornaments borrowed from the ancient Greek and Roman empires. Buildings typically had simple timber frames and box-like constructions, veneered in expensive mahogany that was imported from the newly acquired colonies.
After Napoleon lost power, the Empire style continued to be in favor for many decades, with minor adaptations. The most famous Empire style structures in France are the grand neoclassical Arc de Triomphe du Carrousel, Vendôme column, and La Madeleine, which were built in Paris to emulate the edifices of the Roman Empire.
In Napoleonic painting, themes often revolved around the military and the glorification of Napoleon’s campaigns. Battle paintings were increasingly produced for large public buildings and grew larger in size than ever before. Baron Gros painted mostly glorifications of Napoleon and his victories, but his 1808 painting of the Battle of Eylau does not neglect the suffering of the dead and wounded on the frozen battlefield. In contrast, Goya’s large paintings The Second of May 1808 and The Third of May 1808 emphasized the brutality of the French forces during the Peninsular War in Spain.
The Empire Style
The Empire Style reflects Napoleon’s desire to reshape France in the model of the Roman Empire.
Explain some of the attributes of the Empire style
Key Points
- The Empire Style, which takes its name from the First Empire period of France, manifested itself in the visual and decorative arts.
- Major building projects undertaken in Paris in the Empire Style include the Church of the Madeleine, intended as a temple to Napoleon’s army.
- The Vendôme Column, crafted from enemy cannons after Napoleon’s victory at Austerlitz, was produced in the style of Trajan’s Column in Rome.
- Napoleon’s throne, on which he sits in a portrait by Ingres, framed the emperor’s head like a halo and contained laurel crown encircling his first initial to commemorate his victories in battle.
The Empire style, which takes its name from the First Empire overseen by Napoleon Bonaparte, is an early 19th century design movement in the decorative arts and the visual arts that flourished between 1800 and 1815 during the Consulate and the First French Empire periods. Art forms from this period reflect Napoleon’s desire to remake France in the image of the Roman Empire. The style corresponds politically to the Biedermeier style in the German-speaking lands, Federal style in the United States, and the Regency style in Britain.
La Madeleine
Architecture of the Empire style was based on elements of the Roman Empire and its many archaeological treasures, which had been rediscovered starting in the 18th century. The style was considered to have “liberated” and “enlightened” architecture just as Napoleon “liberated” the peoples of Europe with his Napoleonic Code. One example of this symbolism lies in the Église Sainte-Marie Madeleine in Paris (Church of St. Mary Magdalene). Although this building is a church, it more closely resembles a classical temple, combining elements from ancient Greece (origin of democracy and Western philosophy) and Rome (a republic turned empire). It was designed in its present form as a temple to the glory of Napoleon’s army.
Vendôme Column
The Vendôme Column, located in the Place de la Vendôme in Paris, was started in 1806 at Napoleon’s direction and completed in 1810. It was modeled after Trajan’s Column, to celebrate the victory of Austerlitz. However, while Trajan’s Column was sculpted from marble, the veneer of the Vendôme Column consists of 425 spiraling bas-relief bronze plates made from cannons taken from the combined armies of Europe, according to his propaganda. A statue of Napoleon, bare-headed, crowned with laurels, and holding a sword in his right hand and a globe surmounted with a statue of Victory in his left hand, was placed atop the column.
Napoleon’s Throne
Napoleon’s throne, on which he sits in a well-known portrait by Jean Auguste Dominique Ingres, consists of blue cushions and gilded armrests ending in ivory balls. Encircling the N on the arm of the throne is a laurel crown, a symbol of victory in Imperial Rome.
As seen in the portrait, the circular back framed the emperor’s head like a halo or sun ray, reminiscent of a section of Jan Van Eyck’s Ghent Altarpiece (housed in the Louvre) depicting God the Father.
- Curation and Revision. Provided by : Boundless.com. License : CC BY-SA: Attribution-ShareAlike
- Military art. Provided by : Wikipedia. Located at : en.Wikipedia.org/wiki/Military_art. License : CC BY-SA: Attribution-ShareAlike
- Military art. Provided by : Wikipedia. Located at : en.Wikipedia.org/wiki/Military_art%23Renaissance_to_Napoleonic_Wars. License : CC BY-SA: Attribution-ShareAlike
- Empire style. Provided by : Wikipedia. Located at : en.Wikipedia.org/wiki/Empire_style. License : CC BY-SA: Attribution-ShareAlike
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- Antoine-Jean Gros - Bataille d'Aboukir, 25 juillet 1799 - Google Art Project. Provided by : Wikipedia. Located at : en.Wikipedia.org/wiki/File:Antoine-Jean_Gros_-_Bataille_d'Aboukir,_25_juillet_1799_-_Google_Art_Project.jpg. License : Public Domain: No Known Copyright
- The Madeleine, Paris, France, ca. 1890-1900. Provided by : Wikipedia. Located at : en.Wikipedia.org/wiki/File:The_Madeleine,_Paris,_France,_ca._1890-1900.jpg. License : Public Domain: No Known Copyright
- Napoleon I on his Imperial Throne. Provided by : Wikipedia. Located at : en.Wikipedia.org/wiki/Napoleon_I_on_his_Imperial_Throne. License : CC BY-SA: Attribution-ShareAlike
- Place Vendu00f4me. Provided by : Wikipedia. Located at : goo.gl/xLal5x. License : CC BY-SA: Attribution-ShareAlike
- La Madeleine, Paris. Provided by : Wikipedia. Located at : en.Wikipedia.org/wiki/La_Madeleine,_Paris. License : CC BY-SA: Attribution-ShareAlike
- Napoleon I on His Imperial Throne. Provided by : Wikipedia. Located at : en.Wikipedia.org/wiki/Napoleon_I_on_his_Imperial_Throne. License : CC BY-SA: Attribution-ShareAlike
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- Antoine-Jean Gros - Bataille d'Aboukir, 25 juillet 1799 - Google Art Project. Provided by : Wikipedia. Located at : en.Wikipedia.org/wiki/File:Antoine-Jean_Gros_-_Bataille_d'Aboukir,_25_juillet_1799_-_Google_Art_Project.jpg. License : Public Domain: No Known Copyright
- The Madeleine, Paris, France, ca. 1890-1900. Provided by : Wikipedia. Located at : en.Wikipedia.org/wiki/File:The_Madeleine,_Paris,_France,_ca._1890-1900.jpg. License : Public Domain: No Known Copyright
- 640px-Madeleine_Paris.jpg. Provided by : Wikimedia Commons. Located at : commons.wikimedia.org/w/index.php?curid=15440100. License : Public Domain: No Known Copyright
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