5: Toward A Summary-Response Essay -- Rosie Banks
- Page ID
- 216412
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)Chapter 1: On Note-Taking
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ote-taking is essential to the process of reading for understanding.
I've forgotten who it was that said creation is memory. My own experiences and the various things I have read remain in my memory and become the basis upon which I create something new. I couldn't do it out of nothing. For this reason, since the time I was a young man I have always kept a notebook handy when I read a book. I write down my reactions and what particularly moves me. I have stacks and stacks of these college notebooks, and when I go off to write a script, these are what I read. Somewhere they always provide me with a point of breakthrough. Even for single lines of dialogue I have taken hints from these notebooks. So what I want to say is, don’t read books while lying down in bed. (Akira Kurosawa, Something Like an Autobiography)
Annotation/Notation
From the Online Etymology Dictionary
Notation: the process of taking notes; "Meaning "to set down in writing, make a memorandum of" is from early 14c." (Note. v.)
Annotation: the process of adding notes to a text; "a note added by way of comment or explanation" (Annotation)
About the 10-step Note-Taking Process
Steps 1-3: Identifying the Text
The first three steps of the process entail identifying the source of the text. Where did it come from? Who wrote it? What’s it called? Who was the intended audience?
For this class, future classes in the composition sequence, and most other college classes, you will be expected to share where you got the information you are communicating in your papers or in oral presentations. So, you will need to know the title and the author at least. You should also include the date and where the reading is published or posted if you want to have the most complete sourcing information.
For #3, sometimes, it’s important to note whether the text is academic or popular. For research classes, you may be instructed to only use academic sources. You can tell often by publication information (Was it published by a university printing press?), by the style in which the text is written (Does it have references?), by what the author includes in the foreword (Does it have a foreword? Does the author tell you in their introduction?).
Steps 4-6: Connecting to the Text
Steps 4-6 are where you start do your due diligence to build your understanding of the reading.
I would encourage you to do two readings of any assigned reading. In the first reading, just try to read straight through. Put a dot or otherwise make note of where you see vocabulary words that you don’t know or words that you like or sentences you like or dislike or any section you know you would like or need to reread more carefully.
At the end of the first reading, check in with yourself and ask: Was that an easy or a hard read? Do I feel like I basically understand what the author is saying? If not, where did I stop understanding? What do I need to know or what would I like to know to get a deeper understanding of this reading.
In the second reading, read through again but much more slowly. Stop and actually take notes on the vocabulary words you marked. Look up the definitions and write them down. I recommend using Merriam-Webster for basic definitions and Online Etymology Dictionary if you want to go deeper into the meaning of a word.
Look at where you placed dots: If they were areas where you felt like you could relate to the author, write that down. For instance, the author might share something that reminds you of what a family member or a former teacher said.
Perhaps you understood just fine; you just didn’t like HOW the author communicated their ideas. Write that down and, to the best of your ability, write down why you didn’t like how they communicated their ideas or why you enjoyed reading their ideas. Review all of your dots and write notes about what made you mark that section — maybe you want to ask the teacher a question about what was there.
This is at the core of what they say about reading to learn. You have to enter into a conversation with the author if you mean to learn from them.
Steps 7-10: Making Sense of the Text
These last four steps are essential to the process of writing a summary, which is one of the key assignments of the CRT in English 96 and to writing an annotated bibliography or a literature review in a research paper class like English 102.
I always recommend that students answer these questions with the actual sentences from the text. Write the sentence or sentences down word for word and put it in quotation marks (That’s a direct quotation.). Only after you do that should you try to rewrite the sentence in your own words or paraphrase it. Do not try to paraphrase and take notes at the same time. That is how people end up being accused of plagiarism.Again, first, write out the direct quote. Then, paraphrase it so that you better understand what is being said.