Skip to main content
Humanities LibreTexts

5: References

  • Page ID
  • \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \) \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)\(\newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\) \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\) \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\) \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\) \( \newcommand{\Span}{\mathrm{span}}\) \(\newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\) \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\) \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\) \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\) \( \newcommand{\Span}{\mathrm{span}}\)\(\newcommand{\AA}{\unicode[.8,0]{x212B}}\)


    Aarseth, E. J. (1997). Cybertext: Perspectives on ergodic literature. JHU Press.

    Adorno, T., & Horkheimer, M. (1944). The culture industry: Enlightenment as mass deception, dialectic of enlightenment. Continuum.

    Barabási, A. L. (2003). Linked: The new science of networks. Perseus Books Group.

    Barabási, A. L., & Albert, R. (1999). Emergence of scaling in random networks. Science, 286(5439), 509-512.

    Benkler, Y. (2006). The wealth of networks: How social production transforms markets and freedom. Yale University Press.

    Boyd-Barrett, O. (2004). Judith Miller, the New York Times, and the propaganda model. Journalism Studies, 5(4), 435-449.

    Brecht, B. (1932). The radio as an apparatus of communication. In New Media (pp. 51-53). Routledge.

    Enzensberger, H. M. (1970). Constituents of a Theory of the Media. New Left Review, (64), 13.

    Golding, P., & Murdock, G. (1991). Culture, Communication, and Political Economy. In J. Curran & M. Gurevitch (Eds.), Mass Media and Society (pp. 15-32). London: Edward Arnold.

    Habermas, J. (1991). The structural transformation of the public sphere: An inquiry into a category of bourgeois society. MIT press.

    Hardin, G. (1968). The Tragedy of the Commons. Science, 162(3859), 1243- 1248.

    Hardt, M., & Negri, A. (2017). Assembly. Oxford University Press.

    Herman, E. S. (1996). The propaganda model revisited. Monthly Review, 48(3), 115.

    Herman, E. S. (2000). The propaganda model: A retrospective. Journalism Studies, 1(1), 101-112.

    Herman, E., & Chomsky, N. (2008). Manufacturing consent: The political economy of the mass media (Anniversary ed. / with a new afterword by Edward S. Herman. ed.). London: Bodley Head.

    Hesmondhalgh, D. (2012). The cultural industries (3rd ed.). London: SAGE.

    Kellner, D. M., & Durham, M. G. (2006). Adventures in media and cultural studies: Introducing the keyworks. In M. G. Durham and D. M. Kellner (Eds.), Media and cultural studies: KeyWorks (pp. ix-xxxviii). Blackwell.

    Klaehn, J. (2009). The Propaganda Model: Theoretical and methodological considerations. Westminster Papers in Communication & Culture, 6(2).

    Marx, K. (1859). Preface to a Contribution to the Critique of Political Economy. The Marx-Engels Reader, 2, 3-6.

    Marx, K. (1867). Capital: A critique of political economy. Volume I: The Process of Production of Capital. Giuseppe Castrovilli.

    Miège, B., & Miaege, B. (1989). The capitalization of cultural production. International General.

    Mosco, V. (1996). The political economy of communication. SAGE Publications.

    Schlesinger, P. (1989). From production to propaganda?. Media, Culture & Society, 11(3), 283-306.

    Sparks, C. (2007). Extending and refining the propaganda model. Westminster Papers in Communication and Culture, 4(2).

    Taffel, S. (2013). Escaping attention: Digital media hardware, materiality and ecological cost. Culture Machine, 13, 1-28.


      5: References is shared under a CC BY-NC-SA license and was authored, remixed, and/or curated by LibreTexts.

      • Was this article helpful?