5.2: Background Readings
- Page ID
- 169673
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Figure \(5.2.1\): Erich Heckel, Crystal Day, 1913, oil on canvas.
- John Berger, Ways of Seeing (Penguin 1972).
- Anna Chave, “Minimalism and the Rhetoric of Power.” Arts Magazine (vol. 64 no. 5, January 1990): 44-63. http://faculty.winthrop.edu/stockk/c...Minimalism.pdf
- Whitney Davis, “Founding the Closet: Sexuality and the Creation of Art History.” Art Documentation 11 no. 4 (Winter 1992): 171-175.
- Carol Duncan, “Virility and Domination in Early Twentieth-Century Vanguard Painting” Artforum (December 1973), 30-39. (http://www.columbia.edu/itc/barnard/...ek6_duncan.pdf)
- Michel Foucault, The History of Sexuality, Vol. 1: An Introduction (Vintage, Reissue Edition 1990).
- Sander Gilman, Sexuality: An Illustrated History (Echo Books + Media, Reprint, 2014).
- bell hooks, Black Looks: Race and Representation, 1992, reprint edition (New York and London: Routledge, 2015).
- Amy K. Levin, Gender, Sexuality and Museums: A Routledge Reader (2010).
- Alyce Mahon, Eroticism and Art (Oxford History of Art, 2007).
- Lynda Nead, The Female Nude: Art, Obscenity, and Sexuality (1992, Routledge).
- Edward-Lilly Smith, Sexuality in Western Art. (1991, Thames and Hudson).
- Leo Steinberg, The Sexuality of Christ in Renaissance Art and in Modern Oblivion (1983, University of Chicago Press, 2nd edition, 1997).
Online resources:
Heilbrunn Timelines on the History of Art (Sex https://www.metmuseum.org/toah/hi/hi_sex.htm.