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- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/05%3A_Asia/5.04%3A_JapanThe imperial court had its own favored line of painters, who worked in the yamato-e tradition and often specialized in pictures drawn from the Tale of Genji. (Both yamato-e and the Tale of Genji are d...The imperial court had its own favored line of painters, who worked in the yamato-e tradition and often specialized in pictures drawn from the Tale of Genji. (Both yamato-e and the Tale of Genji are described in the section on Heian-period art.) These painters are known as the Tosa school; the earliest mention of a painter named Tosa dates from the early 15th century and refers to a painter who was also the governor of the Tosa province.
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/02%3A_Ancient_Mediterranean/2.04%3A_Ancient_AegeanHowever, the parts of the site that had been roofed (such as the Throne Room and the Shrine of the Double Axes) and sections that were more intact (such as the Grand Staircase), were in excellent shap...However, the parts of the site that had been roofed (such as the Throne Room and the Shrine of the Double Axes) and sections that were more intact (such as the Grand Staircase), were in excellent shape and this no doubt convinced Evans of the importance of aggressive conservation work.
- https://human.libretexts.org/Courses/Prince_Georges_Community_College/Introduction_to_Art__Art_History_Part_2/05%3A_Asia/5.04%3A_JapanThe imperial court had its own favored line of painters, who worked in the yamato-e tradition and often specialized in pictures drawn from the Tale of Genji. (Both yamato-e and the Tale of Genji are d...The imperial court had its own favored line of painters, who worked in the yamato-e tradition and often specialized in pictures drawn from the Tale of Genji. (Both yamato-e and the Tale of Genji are described in the section on Heian-period art.) These painters are known as the Tosa school; the earliest mention of a painter named Tosa dates from the early 15th century and refers to a painter who was also the governor of the Tosa province.
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/11%3A_The_Americas_to_1900/11.05%3A_South_America_before_c._1500The Sun Gate figure stands atop a stepped pyramid shape with serpentine figures emerging from it, a representation of the Akapana pyramid, which mirrored the nearby sacred mountain Illimani not only i...The Sun Gate figure stands atop a stepped pyramid shape with serpentine figures emerging from it, a representation of the Akapana pyramid, which mirrored the nearby sacred mountain Illimani not only in shape but by having a series of internal and external channels that allowed rain water to cascade down the side of the structure like the above-and below-ground rivers of the mountain.
- https://human.libretexts.org/Courses/Prince_Georges_Community_College/Introduction_to_Art__Art_History_Part_2/02%3A_Ancient_Mediterranean/2.04%3A_Ancient_AegeanHowever, the parts of the site that had been roofed (such as the Throne Room and the Shrine of the Double Axes) and sections that were more intact (such as the Grand Staircase), were in excellent shap...However, the parts of the site that had been roofed (such as the Throne Room and the Shrine of the Double Axes) and sections that were more intact (such as the Grand Staircase), were in excellent shape and this no doubt convinced Evans of the importance of aggressive conservation work.
- https://human.libretexts.org/Courses/Prince_Georges_Community_College/Introduction_to_Art__Art_History_Part_2/14%3A_North_and_South_America_(c._14000_B.C._to_1900)/14.05%3A_South_America_before_c._1500The Sun Gate figure stands atop a stepped pyramid shape with serpentine figures emerging from it, a representation of the Akapana pyramid, which mirrored the nearby sacred mountain Illimani not only i...The Sun Gate figure stands atop a stepped pyramid shape with serpentine figures emerging from it, a representation of the Akapana pyramid, which mirrored the nearby sacred mountain Illimani not only in shape but by having a series of internal and external channels that allowed rain water to cascade down the side of the structure like the above-and below-ground rivers of the mountain.
