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- https://human.libretexts.org/Courses/Housatonic_Community_College/Art_E103%3A_Art_History_III_(1840Present)/03%3A_Dreams_and_Nightmares_Invention_and_Abstraction_(c._1900c.1945)/3.07%3A_Dada_and_Surrealism_(II)The Surrealists believed that the world of the imagination was the only proper subject for the arts, which must challenge what Breton called “the poverty of reality.” He claimed that the work of art m...The Surrealists believed that the world of the imagination was the only proper subject for the arts, which must challenge what Breton called “the poverty of reality.” He claimed that the work of art must “refer to a purely interior model.” While this statement applies to all Surrealist artworks, regardless of productive technique, style, or subject, many Surrealist artists followed de Chirico’s example and created dreamlike imagery that appears to literally reveal the “interior model.”
- https://human.libretexts.org/Courses/Prince_Georges_Community_College/Introduction_to_Art__Art_History_Part_2/10%3A_Modernism_and_Post-Modernism_Art_(1900__1980)/10.07%3A_Dada_and_Surrealism_(II)The Surrealists believed that the world of the imagination was the only proper subject for the arts, which must challenge what Breton called “the poverty of reality.” He claimed that the work of art m...The Surrealists believed that the world of the imagination was the only proper subject for the arts, which must challenge what Breton called “the poverty of reality.” He claimed that the work of art must “refer to a purely interior model.” While this statement applies to all Surrealist artworks, regardless of productive technique, style, or subject, many Surrealist artists followed de Chirico’s example and created dreamlike imagery that appears to literally reveal the “interior model.”
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/10%3A_Modernisms_1900__1980/10.03%3A_Fauvism__ExpressionismOne of the editors of the book, the Russian artist Vasily Kandinsky, wrote of Der Blaue Reiter’s intent, “We aim to show by means of the variety of forms represented how the inner wishes of the artist...One of the editors of the book, the Russian artist Vasily Kandinsky, wrote of Der Blaue Reiter’s intent, “We aim to show by means of the variety of forms represented how the inner wishes of the artist are embodied.”[1] This emphasis on the “inner” or subjective mental states of the artist, as opposed to the “outer” or objective experience of nature, is a central theme of Expressionist art theory.
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/10%3A_Modernisms_1900__1980/10.07%3A_Dada_and_Surrealism_(II)The Surrealists believed that the world of the imagination was the only proper subject for the arts, which must challenge what Breton called “the poverty of reality.” He claimed that the work of art m...The Surrealists believed that the world of the imagination was the only proper subject for the arts, which must challenge what Breton called “the poverty of reality.” He claimed that the work of art must “refer to a purely interior model.” While this statement applies to all Surrealist artworks, regardless of productive technique, style, or subject, many Surrealist artists followed de Chirico’s example and created dreamlike imagery that appears to literally reveal the “interior model.”
- https://human.libretexts.org/Courses/Housatonic_Community_College/Art_E103%3A_Art_History_III_(1840Present)/03%3A_Dreams_and_Nightmares_Invention_and_Abstraction_(c._1900c.1945)/3.03%3A_Fauvism__ExpressionismOne of the editors of the book, the Russian artist Vasily Kandinsky, wrote of Der Blaue Reiter’s intent, “We aim to show by means of the variety of forms represented how the inner wishes of the artist...One of the editors of the book, the Russian artist Vasily Kandinsky, wrote of Der Blaue Reiter’s intent, “We aim to show by means of the variety of forms represented how the inner wishes of the artist are embodied.”[1] This emphasis on the “inner” or subjective mental states of the artist, as opposed to the “outer” or objective experience of nature, is a central theme of Expressionist art theory.
- https://human.libretexts.org/Courses/Prince_Georges_Community_College/Introduction_to_Art__Art_History_Part_2/10%3A_Modernism_and_Post-Modernism_Art_(1900__1980)/10.03%3A_Fauvism__ExpressionismOne of the editors of the book, the Russian artist Vasily Kandinsky, wrote of Der Blaue Reiter’s intent, “We aim to show by means of the variety of forms represented how the inner wishes of the artist...One of the editors of the book, the Russian artist Vasily Kandinsky, wrote of Der Blaue Reiter’s intent, “We aim to show by means of the variety of forms represented how the inner wishes of the artist are embodied.”[1] This emphasis on the “inner” or subjective mental states of the artist, as opposed to the “outer” or objective experience of nature, is a central theme of Expressionist art theory.
