Search
- Filter Results
- Location
- Classification
- Include attachments
- https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/08%3A_Europe_(1800_-_1900)/8.05%3A_RealismThe iron gridwork and large masonry pillars of the bridge to the right belong to the Pont de l’Europe, the orthogonals of which lead the eye into the background creating an area of interest to counter...The iron gridwork and large masonry pillars of the bridge to the right belong to the Pont de l’Europe, the orthogonals of which lead the eye into the background creating an area of interest to counter the dominance of the seated woman to the left.
- https://human.libretexts.org/Courses/Housatonic_Community_College/Art_E103%3A_Art_History_III_(1840Present)/02%3A_Becoming_Modern_(c.1840c.1900)/2.05%3A_RealismThe iron gridwork and large masonry pillars of the bridge to the right belong to the Pont de l’Europe, the orthogonals of which lead the eye into the background creating an area of interest to counter...The iron gridwork and large masonry pillars of the bridge to the right belong to the Pont de l’Europe, the orthogonals of which lead the eye into the background creating an area of interest to counter the dominance of the seated woman to the left.
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/08%3A_Europe_1800_-_1900/8.05%3A_RealismThe iron gridwork and large masonry pillars of the bridge to the right belong to the Pont de l’Europe, the orthogonals of which lead the eye into the background creating an area of interest to counter...The iron gridwork and large masonry pillars of the bridge to the right belong to the Pont de l’Europe, the orthogonals of which lead the eye into the background creating an area of interest to counter the dominance of the seated woman to the left.
