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  • https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/14%3A_At-risk_Cultural_Heritage_Education_Series_(ARCHES)/14.05%3A_The_many_forms_of_iconoclasm
    In the case of the “The Angel Surush rescues Khusraw Parviz,” for example, the calligrapher wrote some of the lines on the front side of the folio diagonally so that the page contains only 12 lines of...In the case of the “The Angel Surush rescues Khusraw Parviz,” for example, the calligrapher wrote some of the lines on the front side of the folio diagonally so that the page contains only 12 lines of text instead of the standard 22, and the couplets describing the angel’s descent fall next to the painting on the reverse.
  • https://human.libretexts.org/Courses/Southwestern_College/Art_104%3A_Introduction_To_Art_(Donovan)/09%3A_Art_and_Ethics/9.06%3A_The_many_forms_of_iconoclasm
    In the case of the “The Angel Surush rescues Khusraw Parviz,” for example, the calligrapher wrote some of the lines on the front side of the folio diagonally so that the page contains only 12 lines of...In the case of the “The Angel Surush rescues Khusraw Parviz,” for example, the calligrapher wrote some of the lines on the front side of the folio diagonally so that the page contains only 12 lines of text instead of the standard 22, and the couplets describing the angel’s descent fall next to the painting on the reverse.
  • https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/06%3A_Medieval_Europe_and_Byzantine/6.06%3A_Byzantine
    At Jerusalem, Constantine’s church of the Holy Sepulchre (dedicated 336) marked the sites of Christ’s Crucifixion, Entombment, and Resurrection, and consisted of a sprawling complex with an atrium ope...At Jerusalem, Constantine’s church of the Holy Sepulchre (dedicated 336) marked the sites of Christ’s Crucifixion, Entombment, and Resurrection, and consisted of a sprawling complex with an atrium opening from the main street of the city; a five-aisled, galleried congregational basilica; an inner courtyard with the rock of Calvary in a chapel at its southeast corner; and the aedicula of the Tomb of Christ, freed from the surrounding bedrock, to the west.
  • https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/12%3A_At-risk_Cultural_Heritage_Education_Series_(ARCHES)/12.05%3A_The_many_forms_of_iconoclasm
    In the case of the “The Angel Surush rescues Khusraw Parviz,” for example, the calligrapher wrote some of the lines on the front side of the folio diagonally so that the page contains only 12 lines of...In the case of the “The Angel Surush rescues Khusraw Parviz,” for example, the calligrapher wrote some of the lines on the front side of the folio diagonally so that the page contains only 12 lines of text instead of the standard 22, and the couplets describing the angel’s descent fall next to the painting on the reverse.
  • https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art_2e/SmartHistory_of_Art_XIV-_At-risk_Cultural_Heritage_Education_Series_(ARCHES)/17.05%3A_The_many_forms_of_iconoclasm
  • https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/06%3A_Medieval_Europe__Byzantine/6.06%3A_Byzantine
    At Jerusalem, Constantine’s church of the Holy Sepulchre (dedicated 336) marked the sites of Christ’s Crucifixion, Entombment, and Resurrection, and consisted of a sprawling complex with an atrium ope...At Jerusalem, Constantine’s church of the Holy Sepulchre (dedicated 336) marked the sites of Christ’s Crucifixion, Entombment, and Resurrection, and consisted of a sprawling complex with an atrium opening from the main street of the city; a five-aisled, galleried congregational basilica; an inner courtyard with the rock of Calvary in a chapel at its southeast corner; and the aedicula of the Tomb of Christ, freed from the surrounding bedrock, to the west.
  • https://human.libretexts.org/Bookshelves/History/World_History/Western_Civilization_-_A_Concise_History_I_(Brooks)/13%3A_Byzantium/13.02%3A_Justinian
    The most important early emperor of Byzantium was Justinian, who ruled from 527 to 565. Justinian was the last Roman emperor to speak Latin as his native tongue; afterwards, all emperors spoke Greek. ...The most important early emperor of Byzantium was Justinian, who ruled from 527 to 565. Justinian was the last Roman emperor to speak Latin as his native tongue; afterwards, all emperors spoke Greek. He is remembered for being both an incredibly fervent Christian, a major military leader, the sponsor of some of the most beautiful and enduring Byzantine architecture in existence, and the husband of probably the most powerful empress in the history of the empire - Theodora.

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