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- https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_II_(Kuznetsova)/09%3A_The_Renaissance/9.02%3A_Renaissance_MusicAs in the other arts, the music of the period was significantly influenced by the developments which define the early modern period: the rise of humanistic thought; the recovery of the literary and ar...As in the other arts, the music of the period was significantly influenced by the developments which define the early modern period: the rise of humanistic thought; the recovery of the literary and artistic heritage of ancient Greece and Rome; increased innovation and discovery; the growth of commercial enterprise; the rise of a bourgeois class; and the Protestant Reformation.
- https://human.libretexts.org/Bookshelves/Music/Music_Education_and_Training/Do_You_Want_to_Major_in_Music%3F_(Wilson_and_Royston)/07%3A_Musical_Traditions/7.01%3A_Western_European_Music_HistoryThis page provides an overview of Western European music history, tracing its evolution from ancient times through various significant periods such as the Middle Ages, Renaissance, Baroque, Classical,...This page provides an overview of Western European music history, tracing its evolution from ancient times through various significant periods such as the Middle Ages, Renaissance, Baroque, Classical, Romantic, and Contemporary eras. It highlights key developments, stylistic features, prominent composers, and important music terms associated with each period. While focusing mainly on Western traditions, it acknowledges global influences and the decolonization of music history.
- https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_II_(Kuznetsova)/09%3A_The_Renaissance/9.03%3A_Early_Middle_and_Late_Renaissance_MusicTowards the end of the fifteenth century, polyphonic sacred music (as exemplified in the masses of Johannes Ockeghem and Jacob Obrecht) had once again become more complex, in a manner that can perhaps...Towards the end of the fifteenth century, polyphonic sacred music (as exemplified in the masses of Johannes Ockeghem and Jacob Obrecht) had once again become more complex, in a manner that can perhaps be seen as correlating to the increased exploration of detail in painting at the time.
