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- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/14%3A_At-risk_Cultural_Heritage_Education_Series_(ARCHES)/14.05%3A_The_many_forms_of_iconoclasmIn the case of the “The Angel Surush rescues Khusraw Parviz,” for example, the calligrapher wrote some of the lines on the front side of the folio diagonally so that the page contains only 12 lines of...In the case of the “The Angel Surush rescues Khusraw Parviz,” for example, the calligrapher wrote some of the lines on the front side of the folio diagonally so that the page contains only 12 lines of text instead of the standard 22, and the couplets describing the angel’s descent fall next to the painting on the reverse.
- https://human.libretexts.org/Courses/Southwestern_College/Art_104%3A_Introduction_To_Art_(Donovan)/09%3A_Art_and_Ethics/9.06%3A_The_many_forms_of_iconoclasmIn the case of the “The Angel Surush rescues Khusraw Parviz,” for example, the calligrapher wrote some of the lines on the front side of the folio diagonally so that the page contains only 12 lines of...In the case of the “The Angel Surush rescues Khusraw Parviz,” for example, the calligrapher wrote some of the lines on the front side of the folio diagonally so that the page contains only 12 lines of text instead of the standard 22, and the couplets describing the angel’s descent fall next to the painting on the reverse.
- https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/06%3A_Medieval_Europe_and_Byzantine/6.06%3A_ByzantineAt Jerusalem, Constantine’s church of the Holy Sepulchre (dedicated 336) marked the sites of Christ’s Crucifixion, Entombment, and Resurrection, and consisted of a sprawling complex with an atrium ope...At Jerusalem, Constantine’s church of the Holy Sepulchre (dedicated 336) marked the sites of Christ’s Crucifixion, Entombment, and Resurrection, and consisted of a sprawling complex with an atrium opening from the main street of the city; a five-aisled, galleried congregational basilica; an inner courtyard with the rock of Calvary in a chapel at its southeast corner; and the aedicula of the Tomb of Christ, freed from the surrounding bedrock, to the west.
- https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/12%3A_At-risk_Cultural_Heritage_Education_Series_(ARCHES)/12.05%3A_The_many_forms_of_iconoclasmIn the case of the “The Angel Surush rescues Khusraw Parviz,” for example, the calligrapher wrote some of the lines on the front side of the folio diagonally so that the page contains only 12 lines of...In the case of the “The Angel Surush rescues Khusraw Parviz,” for example, the calligrapher wrote some of the lines on the front side of the folio diagonally so that the page contains only 12 lines of text instead of the standard 22, and the couplets describing the angel’s descent fall next to the painting on the reverse.
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art_2e/SmartHistory_of_Art_XIV-_At-risk_Cultural_Heritage_Education_Series_(ARCHES)/17.05%3A_The_many_forms_of_iconoclasm
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/06%3A_Medieval_Europe__Byzantine/6.06%3A_ByzantineAt Jerusalem, Constantine’s church of the Holy Sepulchre (dedicated 336) marked the sites of Christ’s Crucifixion, Entombment, and Resurrection, and consisted of a sprawling complex with an atrium ope...At Jerusalem, Constantine’s church of the Holy Sepulchre (dedicated 336) marked the sites of Christ’s Crucifixion, Entombment, and Resurrection, and consisted of a sprawling complex with an atrium opening from the main street of the city; a five-aisled, galleried congregational basilica; an inner courtyard with the rock of Calvary in a chapel at its southeast corner; and the aedicula of the Tomb of Christ, freed from the surrounding bedrock, to the west.
